ENCYCLOPEDIA
OF
TAEKWON-DO
GEN. CHOI HONG HI
VOLUME XV
TABLE ОЕ CONTENTS
(Mokcha)
TENETS OF TAEKWON-DO за за ва ve an №
EXPLANATION ОЕ TENETS ee во ин зн авы oo
РАТЕВМО о до nf ва ны 84 за wee mw я М
Interpretation of Patterns ..... сз ea 14
GENERALINFORMATION............,. 19
PATTERW SO-SAN хоз www oe oe ва 29
ADDITIONAL TECHNIQUES FOR
PATTERN SO-SAN Е... ee ee ee 23
ADDITIONAL TECHNIQUES FOR
PATTERN SE-JONG (и ee 179
PATTERN SE-JONG.... . me ee ва на 185
ADDITIONAL TECHNIQUES FOR
PATTERN TONG-ILx gs eucae ха в + oe & w239
PATTERN TONG-IL. и... . 281
SYNOPSIS хз хх @ Kw He ва ва ew на #968
Taekwon-Do
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fo | International Taekwon-Do Federation
THE TENETS ОЕ TAEKWON-DO
(Taekwon-Do Jungshin)
TAEKWON-DO AIMS TO ACHIEVE
Courtesy (Ye Uji)
Integrity (Yom Chi)
Perseverance (/n Nae)
Self-Control (Guk Gi)
Indomitable Spirit
(Baekjul Boolgool)
EXPLANATION OF TENETS
Needless to say, the success or failure of Taekwon-Do training depends
largely on how one observes and implements the tenets of Taekwon-Do which
should serve as a guide for all serious students of the art.
COURTESY (Ye Ui) Taekwon-Do students should attempt to practise the following elements
of courtesy to build up their noble character and to conduct the training in an
orderly manner as well.
1) To promote the spirit of mutual concessions 2) To be ashamed of one’s vices, contempting those of others 3) To be polite to one another 4) To encourage the sense of justice and humanity 5) To distinguish instructor from student, senior from junior, and elder
from younger
6) To behave oneself according to etiquette 7) To respect others’ possesions 8) To handle matters with fairness and sincerity 9) To refrain from giving or accepting any gift when in doubt
INTEGRITY (Yom Chi)
In Taekwon-Do, the word integrity assumes a looser definition than the
one usually presented in Webster's dictionary. One must be able to define right
and wrong, and have the conscience, if wrong, to feel guilt. Listed are some
examples, where integrity is lacking:
1. The instructor who misrepresents himself and his art by presenting
improper techniques to his students because of a lack of knowledge or
apathy.
2. The student who misrepresents himself by “fixing” breaking materials
before demonstrations.
3. The instructor who camouflages bad techniques with luxurious
training halls and false flattery to his students.
4. The student who requests rank from an instructor, or attempts to purchase it. 5. The student who gains rank for ego purposes or the feeling of power. 6. The instructor that teaches and promotes his art for materialistic gains. 7. The student whose actions do not live up the words. 8. The student who feels ashamed to seek opinions from his juniors.
PERSEVERANCE (/n Nae)
There is an old Oriental saying, ‘Patience leads to virtue or теги” “One
can make a peaceful home by being patient for 100 times.” Certainly,
happiness and prosperity are most likely brought to the patient person. To
achieve something, whether it is a higher degree or the perfection of a
technique, one must set his goal, then constantly persevere. Robert Bruce
learned his lesson of perseverance from the persistant efforts of a lowly spider.
It was this perseverence and tenacity that finally enabled him to free Scotland
in the fourteenth century. One of the most important secrets in becoming a
leader of Taekwon-Do is to overcome every difficulty by perseverance.
Confucious said; “one who is impatient in trivial matters can seldom
achieve success in matters of great importance.”
10
SELF-CONTROL (Guk Gi)
This tenet is extremely important inside and
outside the do jang, whether conducting oneself in
free sparring or in one’s personal affairs. A loss of self-
control in free sparring can prove disasterous to both
student and opponent. An inability to live and work
within one’s capability or sphere is also a lack of self-
control,
According to Lao-Tzu “the term of stronger is the
person who wins over oneself rather than someone
else.”
INDOMITABLE SPIRIT (8aekju/ Boolgool)
“Here lie 300, who did their duty,” а simple
epitaph for one of the greatest acts of courage known
to mankind.
Although facing the superior forces of Xerxes,
Leonidas and his 300 Spartans at Thermopylae
showed the world the meaning of indomitable spirit. It
is shown when a courageous person and his prin-
ciples are pitted against overwhelming odds.
Aserious student of Taekwon-Do will at all times
be modest and honest. If confronted with injustice, he
will deal with the belligerent without any fear or
hesitation at all, with indomitable spirit, regardless of
whosoever and however many the number may be.
Confucius declared, “И is an act of cowardice to
fail to speak out against injustice.”
As history has proven those who have pursued
their dreams earnestly and strenuously with indomit-
able spirit have never failed to achieved their goals.
“Pursue one’s own goal”
11
PATTERNS (Ти!)
The ancient law п the Orient was similar to the law of Hamurabi, “ап eye
for an eye, a tooth for a tooth,” and was rigorously enforced even if death was
caused accidentally.
In this type of environment, and since the present system of free sparring
had not yet been developed, it was impossible for a student of the martial arts to
practise or test his individual skill of attack and defense against actual moving
opponents.
Individual advancement was certainly hindered until an imaginative
practitioner created the first patterns.
Patterns are various fundamental movements, most of which represent
either attack or defense techniques, set to a fixed and logical sequence.
The student systematically deals with several imaginary opponents under
various assumptions, using every available attacking and blocking tool from
different directions. Thus pattern practice enables the student to go through
many fundamental movements in series, to develop sparring techniques,
improve flexibility of movements, master body shifting, build muscles and
breath control, develop fluid and smooth motions, and gain rythmical
movements.
It also enables a student to acquire certain special techniques which
cannot be obtained from either fundamental exercises or sparring. In short, a
pattern can be compared with a unit tactic or a word, if fundamental movement
is an individual soldier's training or alphabet. Accordingly, pattern, the ledger
of every movement, is a series of sparring, power tests, feats and characteristic
beauty.
Though sparring may merely indicate that an opponent is more or less
advanced, patterns are a more critical barometer in evaluating an individual's
technique.
The following points should be considered while performing patterns: 1. Pattern should begin and end at exactly the same spot. This will indicate the performer's accuracy.
12
2. Correct posture and facing must be maintained at all times.
3. Muscles of the body should be either tensed or relaxed at the proper
critical moments in the exercise.
4. The exercise should be performed in a rhythmic movement with an
absence of stiffness.
5. Movement should be accelerated or decelerated according to the
instructions in this book.
. Each pattern should be perfected before moving to the next.
. Students should know the purpose of each movement.
. Students should perform each movement with realism.
. Attack and defense techniques should be equally distributed among
right and left hands and feet.
owmnn oD
All patterns in this book are performed under the assumption the student is
facing “О” (see pattern diagrams).
There are a total of twenty-four patterns in Taekwon-Do. The reason for 24 Patterns: The life of a human being, perhaps 100 years, can be considered as a day
when compared with eternity. Therefore, we mortals are no more than simple
travellers who pass by the eternal years of an aeon in a day.
It is evident that no one can live more than a limited amount of time.
Nevertheless, most people foolishly enslave themselves to materialism as if
they could live for thousands of years. And some people strive to bequeath a
good spiritual legacy for coming generations, in this way, gaining immortality.
Obviously, the spirit is perpetual while material is not. Therefore, what we can
do to leave behind something for the welfare of mankind is, perhaps, the most
important thing in our lives.
Here | leave Taekwon-Do for mankind as a trace of man of the late 20th
century.
The 24 patterns represent 24 hours, one day, or all my life.
13
THE INTERPRETATIONS OF PATTERNS
The name of the pattern, the number of movements, and the diagrammatic
symbol of each pattern symbolizes either heroic figures in Korean history or
instances relating to historical events.
CHON-JI:
DAN-GUN:
DO-SAN:
WON-HYO:
YUL-GOK:
JOONG-GUN:
TOI-GYE:
14
means literally “the Heaven the Earth’. It is, in the Orient,
interpreted as the creation of the world or the beginning of
human history, therefore, it is the initial pattern played by the
beginner. This pattern consists of two similar parts; one to
represent the Heaven and the other the Earth.
is named after the holy Dan-Gun, the legendary founder of
Korea in the year of 2,333 B.C.
is the pseudonym of the patriot Ann Chang-Ho (1876-1938).
The 24 movements represent his entire life which he devoted to
furthering the education of Korea and its independence
movement.
was the noted monk who introduced Buddhism to the Silla
Dynasty in the year of 686 A.D.
is the pseudonym of a great philosopher and scholar Yi! (1536-
1584) nicknamed the “Confucius of Korea”. The 38 movements
of this pattern refer to his birthplace on 38° latitude and the
diagram (+b) represents ‘scholar’.
is named after the patriot Ann Joong-Gun who assassinated
Hiro-Bumi Ito, the first Japanese governor-general of Korea,
known as the man who played the leading part in the Korea-
Japan merger. There are 32 movements in this pattern to
represent Мг. Ahn’s age when he was executed at Lui-Shung
prison (1910).
is the pen name of the noted scholar Yi Hwang (16th century),
an authority on neo-Confucianism. The 37 movements of the
pattern refer to his birthplace on 370 latitude, the diagram (++)
represents “scholar”.
НМ/А-ВАМС:
CHOONG-MOO:
KWANG-GAE:
PO-EUN:
GE-BAEK:
EUI-AM:
is named after the Hwa-Rang youth group which originated in
the Silla Dynasty in the early 7th century. The 29 movements
refer to the 29th Infantry Division, where Taekwon-Do de-
veloped into maturity.
was the name given to the great Admiral Yi Soon-Sin of the Yi
Dynasty. He was reputed to have invented the first armoured
battleship (Kobukson) in 1592, which is said to be the precursor
of the present day submarine. The reason why this pattern ends
with a left hand attack is to symbolize his regrettable death,
having no chance to show his unrestrained potentiality checked
by the forced reservation of his loyalty to the king.
is named after the famous Gwang-Gae-Toh-Wang, the 19th
King of the Koguryo Dynasty, who regained all the lost
territories including the greater part of Manchuria. The diagram
(+) represents the expansion and recovery of lost territory. The
39 movements refer to the first two fiqures of 391 A.D., the year
he came to the throne.
is the pseudonym of a loyal subject Chong Mong-Chu (1400)
who was a famous poet and whose poem “|! would not serve а
second master though | might be crucified a hundred times” is
known to every Korean. He was also a pioneer in the field of
physics. The diagram (—) represents his unerring loyalty to the
king and country towards the end of the Koryo Dynasty.
is named after Ge-Baek, a great general in the Baek Je Dynasty
(660 A.D.). The diagram (I) represents his severe and strict
military discipline.
is the pseudonym of Son Byong Hi, leader of the Korean
independence movementon March 1, 1919. The 45 movements
refer to his age when he changed the name of Dong Hak
(Oriental Culture) to Chondo Kyo (Heavenly Way Religion) in
1905. The diagram (1) represents his indomitable spirit, dis-
played while dedicating himself to the prosperity of his nation.
15
CHOONG-JANG js the pseudonym given to General Kim Duk Ryang who lived
JUCHE:
SAM-IL:
YOO-SIN:
CHOI-YONG:
YON-GAE:
16
during the Yi Dynasty, 14th century. This pattern ends with a
left-hand attack to symbolize the tragedy of his death at 27 in
prison before he was able to reach full maturity.
is a philosophical idea that man is the master of everything and
decides everything, in other words, the idea that man is the
master of the world and his own destiny. It is said that this idea
was rooted in Baekdu Mountain which symbolizes the spirit of
the Korean people. The diagram (ily) represents Baekdu
Mountain.
denotes the historical date of the independence movement of
Korea which began throughout the country on March 1, 1919.
The 33 movements in the pattern stand for the 33 patriots who
planned the movement.
is named after General Kim Yoo Sin, a commanding general
during the Silla Dynasty. The 68 movements refer to the last two
figures of 668 A.D., the year Korea was united. The ready
posture signifies a sword drawn on the right rather than left side,
symbolizing Yoo Sin‘s mistake of following his king's orders to
fight with foreign forces against his own nation.
is named after General Choi Yong, Premier and Commander-in-
Chief of the Armed forces during the 14th century Koryo
Dynasty. Choi Yong was greatly respected for his loyalty,
patriotism, and humility. He was executed by his subordinate
commanders headed by General Yi Sung Gae, who later
become the first king of the Yi Dynasty.
is named after a famous general during the Koguryo Dynasty,
Yon Gae Somoon. The 49 movements refer to the last two
figures of 649 A.D., the year he forced the Tang Dynasty to quit
Korea after destroying nearly 300,000 of their troops at Ansi
Sung.
UL-JI:
MOON-MOO:
SO-SAN:
SE-JONG:
TONG-IL:
is named after general Ul-Ji Moon Dok who successfully
defended Korea against a Tang's invasion force of nearly one
million soldiers led by Yang Je in 612 A.D., UIl-Ji employing hit
and run guerilla tactics, was able to decimate a large percentage
of the force. The diagram (`.) represents hi$ surname. The 42
movements represents the author's age when he designed the
pattern.
honors the 30th king of the Silla Dynasty. His body was buried
near Dae Wang Am (Great King’s Rock). According to his will,
the body was placed in the sea ‘Where my soul shall forever
defend my land against the Japanese. It is said that the Sok Gul
Am (Stone Cave) was built to guard his tomb. The Sok Gul Am
is a fine example of the culture of the Silla Dynasty. The 61
movements in this pattern symbolize the last two figures of 661
A.D. when Moon Moo came to the throne.
is the pseudonym of the great monk Choi Hyong Ung (1520-
1604) during the Yi Dynasty. The 72 movements refer to his age
when he organized a corps of monk soldiers with the assistance
of his pupil Sa Myung Dang. The monk soldiers helped repulse
the Japanese pirates who overran most of the Korean peninsula
in 1592.
is named after the greatest Korean king, Se-Jong, who invented
the Korean alphabet in 1443, and was also a noted meteorol-
ogist. The diagram (=) represents the king, while the 24
movements refer to the 24 letters of the Korean alphabet.
denotes the resolution of the unification of Korea which has
been divided since 1945. The diagram (I) symbolizes the
homogenous race.
Since each pattern has a close relationship with the fundamental excercise,
students, therefore, should practice the patterns according to the following
graduation to attain the maximum results with the least effort.
17
NAME OF TUL
CHON-JI .....-
DAN-GUN......
YUL-GOK.......
JOONG-GUN....
FORGE s te:coseyecore
HWA-RANG. ....
CHOONG-MOO ...
KWANG-GAE
GE-BAEK
EUI-AM
CHOONG-JANG...
JUCHE
SAM-IL
YOO-SIN ......
CHOI-YONG
YONG-GAE
18
RANK ORDER OF BELT
STH GUP* 4... Ke» WHITE/YELLOW STRIPE
BTA GUP yobs feces YELLOW
ПН GUP aise ал 9 YELLOW/GREEN STRIPE
CTH CUP sain: ка, GREEN
5THGUP....... GREEN/BLUE STRIPE
ATH GUP ei oes BLUE
SRD СУР:...... ... . BLUE/RED STRIPE
2NDGUP....... RED
IST GUP asses RED/BLACK STRIPE
TST DAN „..-.... BLACK
2ND DAN....... BLACK
3RDDAN....... BLACK
ATH DANE: лы , BLACK ТН: БАМ и BLACK
6THDAN....... BLACK
GENERAL INFORMATION
The purpose of this volume is to teach the beginner students (10th grade
to 7th grade) to perform their patterns with effective technique and realistic
feeling. The student is, therefore, advised to pay special attention to the correct
execution and application of each movement before he attempts to practise his
pattern.
Obviously, the pattern cannot be performed correctly without sufficient
knowledge of the fundamental movements involved. The student should refer
to the relevant volume in this encyclopedia for more detailed information on
each motion. This book is also strongly recommended as a review for all levels
advanced beyond this stage. |
The illustrations for all 24 of the patterns contained т this encyclopedia
assume that the student is standing on line AB and facing D.
LEGEND: f — present foot position with the exception of ‘Previous Posture”
@ — Previous foot position
f — heel slightly off the ground
a — direction of foot travel
“Previous Posture” — posture of immediate preceding movement “Other View” — view of posture from the opposite side “Front View” — the performer's front “Top View” — reader's view from the top “to A,B,C,...etc.”” —direction of attack or block to A,B,C,,...etc. “toward A,B,C,...etc."" — direction of stance toward A,B,C.,...etc. “Front foot” — refers to the foot which is advanced to the
front.
“Rear foot’ — refers to the foot which is placed at the rear. “Left chest” — refers to the left half of the chest. “Right chest” — refers to the right half of the chest.
19
IMPORTANT:
Due to the distortion of distance apparent in photographs, the angle of
the feet in stances may appear slightly out of position. The student,
therefore, is encouraged to refer to the feet illustrations rather than the
photograph itself.
Parallel stance
Sitting stance
20
Walking Stance (Gunnun 8091)
Front View
Back View
L-Stance (Niunja Sogi)
Front View
Back View
21
22
ADDITIONAL TECHNIQUES
FOR
PATTERN SO-SAN
Rear Foot Stance Forearm High Guarding Block
(Dwitbal So Palmok Nopunde Daebi Makgi)
Side View
Front View
Walking Stance Middle Vertical Punch
(Gunnun So Kaunde Sewo Jirugi)
The thumb reaches the same
levels as solar plexus of the
attacker
Front View
24
Walking Stance Inner Forearm Middle Side Front Block
(Gunnun So Anpalmok Kaunde Yobap Makgi)
Front View
Side View
Flying Front Kick (Twimyo Ap Chagi)
Side View
Ри
Front View
Forward Double Step-Slide Turning
(Apuro По Omgyo Didigo Mikulmyo Dolgi)
From a Right Walking Stance From a Right L-Stance
Walking Stance Knife-Hand High Inward Strike
(Gunnun so Sonkal Nopunde Anuro Taerigi)
Front View Side View
Walking Stance Back Fist Reverse Front Strike
(Gunnun 50 Dung Joomuk Bandae Ap Taerigi)
Front View
Side View
27
PATTERN SO-SAN
This pattern is practised by the
5th degree.
DIAGRAM: +
MOVEMENTS: 72
READY POSTURE: CLOSE READY STANCE A.
DIAGRAM ( Yon Moo Son)
Ready Posture
Close ready stance A toward D
uy
31
1. Slide to С to form а right rear foot stance toward D while
executing a high guarding block to D with the forearm.
>
Right rear foot stance forearm
high guarding block toward D.
32
2. Execute a middle vertical punch to D with the right fist
while forming a left walking stance toward D, slipping the
left foot.
Left walking stance middle vertical
punch with the right fist toward О.
3. Slide to С, forming a left rear foot stance toward D while
executing a high guarding block to D with the forearm.
Left rear foot stance forearm
high guarding block toward D.
36
Previous Posture
far
37
4. Execute a middle vertical punch to D with the left fist while
forming a right walking stance toward D, slipping the right
foot.
Right walking stance middle vertical
punch with the left fist toward D.
Previous Posture
Application
Side View
Other View
39
5. Execute a high side block to BC with the right knife-hand
while forming a left walking stance toward BC.
Left walking stance high side block with
the right knife-hand toward BC.
Previous Posture
Application
Keep both heels slightly
off the ground.
Side View
6. Execute a middle punch to BD with the left fist while
forming a sitting stance toward BD.
Perform 5 and 6 in a fast motion.
Sitting stance middle punch with
the left fist toward BD.
42
Я
vious Posture
Keep both heels slightly
round,
Е
x
>
<
3
4
Application
43
7. Execute a high side block to D with the left knife-hand
while forming a right walking stance toward D.
Right walking stance high side block
with the left knife-hand toward D.
Keep both heels slightly
off the ground.
46
8. Execute a middle punch to BD with the right fist while
forming a sitting stance toward BD.
Perform 7 and 8 in a fast motion.
Sitting stance middle punch with
the right fist toward BD.
9. Move the right foot to С, turning clockwise to form a
parallel stance toward A while executing a horizontal
strike with a twin knife-hand.
Parallel stance toward A with a twin
knife-hand horizontal strike.
Application
us Posture
Top View
Front View
49
10. Execute a middle side piercing kick to C with the right
foot, keeping the position of the hands as they were in 9.
cD
Middle side piercing kick to C
with the right foot.
52
11. Execute a middle turning kick to D with the right foot.
Perform 10 and 11 in a consecutive kick.
\?
Middle side piercing kick to D
with the right foot.
Application
12. Lower the right foot to D in a jumping motion to form а
right X-stance toward BD while executing a high side
strike to D with the right back fist and bringing the left
finger belly to the right side fist.
we
x
Reght X-stance toward BD with a right
back fist high side strike to D.
13. Move the left foot to С, forming a parallel stance toward В
while executing a horizontal strike with a twin knife-
hand.
~sf
Parallel stance toward B with a twin
knife-hand horizontal strike.
5
>
№ §
=
]
—_ a
14. Execute a middle side piercing kick to C with the left foot,
keeping the position of the hands as they were in 13.
Middle side piercing kick to C
with the left foot.
15. Execute a middle turning kick to D with the left foot.
Perform 14 and 15 in a consecutive kick.
Qe
Middle turning kick to D
with the left foot.
62
16. Lower the left foot to D in a jumping motion, forming a
left X-stance toward AD while executing a high side strike
to D with the left back fist and bringing the right finger
belly to the left side fist.
Left X-stance toward AD with a left
back fist high side strike to D.
17. Move the left foot to A, forming a right L-stance toward
A while executing a low punch to A with a left double fist.
Right L-stance low punch with
a left double fist toward A.
18. Bring the right palm оп the left forefist and then twist
them counter-clockwise until the left back fist faces
downward while forming a left walking stance toward A,
slipping the left foot.
Perform in a releasing motion.
Previous Posture
Left walking stance releasing
motion toward A.
66
| _|
. № т
19. Execute а high punch to A with the right fist while
maintaining a left walking stance toward A.
Left walking stance high punch
with the right fist toward A.
Application
Front View
Keep the right heel slightly
Previous Posture off the ground.
ie @ Oey
20. Move the left foot on line AB to form a left L-stance
toward B while executing a low punch to B with a right
double fist.
\ \
at у
> <!
Left-L-stance low punch with
a right double fist toward B.
70
Previous Posture
Keep the left hee! slightly
off the ground.
21. Bring the left palm on the right forefist, and then twist
them clockwise until the right back fist faces downward
while forming a right walking stance toward В, slipping
the right foot. Perform in a releasing motion.
Right walking stance releasing
motion toward B
72
Application
74
22. Execute a high punch to В with the left fist while
maintaining a right walking stance toward B.
Right walking stance high punch
with the left fist toward B.
ae!
Application
Keep the left heel slightly
Previous Posture off the ground.
75
76
23. Slide to В to form a right L-stance to ward В while
executing an upset punch to B with the right middle
knuckle fist and bringing the left side fist in front of the
right shoulder.
Right L-stance middle punch with the
right middle knuckle fist toward B.
78
24. Execute a front strike to В with the right back fist while
forming a left walking stance toward B, slipping the right
foot.
Left walking stance front strike
with the right back fist toward В.
25. Slide to A, turning clockwise to form а left L-stance
toward A while executing an upset punch to A with the
left middle knuckle fist and bringing the right side fist in
front of the left shoulder.
Left L-stance middle punch with a lefi
middle knuckle fist toward A.
80
26. Execute а front strike to A, with the left back fist while
forming a right walking stance toward A, slipping the left
foot.
Right walking stance front strike
with a left back fist toward A.
82
Top View
27. Move the left foot to D, forming a right
walking ready stance toward C.
Right walking ready stance
toward С.
28. Jump to execute а flying front snap
kick to C with the right foot.
es
Flying front snap kick to С
with the right foot.
29. Land to С, forming a left L-stance toward C while executing
a middle guarding block to С with a knife-hand.
Left L-stanee knife-hand middle
guarding block toward C.
90
30. Move the right foot to D to form a left walking stance
toward С while executing a high front block with the right
forearm.
rae |
——
Left walking stance toward © with
a right forearm high front block.
31. Execute a middle punch to € with the left fist while shifting
to С, maintaining a left walking stance toward DC,
=
У
Left walking stance middle punch
with the left fist toward С.
92
94
32. Turn clockwise, pivoting with the left foot to form а right
walking stance toward D while executing а high front
block with the left forearm.
Right walking stance high front block
with a left forearm toward D
SoS
=
imme: | ©)
= | ay
96
33. Execute a middle punch to D with the right fist while
shifting to D, maintaining aright walking stance toward
D.
2. b>
Right walking stance middle punch
with the right fist toward D.
“<
84.
Execute а middle block to BD with a double arc-hand
while forming a left walking stance toward BC and
looking through the hands.
Left walking stance toward BC with a
double arc-hand middle block to BD.
35. Execute a high inward strike to BC with the right knife-
hand and bringing the left side fist in front of the right
shoulder while maintaining a left walking stance toward
BC.
Left walking stance high inward strike
with the right knife-hand toward BC.
Application
Previous Posture
Keep the right heel slightly
off the ground.
Top View
101
102
36. Execute a circular block to BD with the left inner forearm
while forming a right walking stance toward D.
А
Right walking stance toward D with a left
inner forearm circular block to BD.
Keep both heels slightly
off the ground.
103
37. Execute a high punch to D with the right fist while
maintaining a right walking stance toward D.
Right walking stance high punch
with the right fist toward D.
Previous Posture
Side View
Keep the left heel slightly
off the ground.
105
106
38. Execute a low front snap kick to D with the left foot.
keeping the position of the hands as they were in 37.
Low front snap kick to D with the left foot.
Ae
Е >
| — —
39. Lower the left foot to D, forming a left walking stance
toward D while executing a middle punch to D with the
left fist.
Left walking stance middle punch
with the left fist toward D.
108
=
Previous Posture
Application
Side View
109
110
40. Execute a middle punch to D with the right fist while
maintaining a left walking stance toward D.
Perform 39 and 40 in a fast motion.
Left walking stance middle punch
with the right fist toward D.
Previous Posture
Keep the right heel slightly
off the ground.
Side View
111
41. Execute a rising block with an X-knife-hand while
maintaining a left walking stance toward D.
Left walking stance toward D with
an X-knife-hand rising block.
112
Application
Previous Posture
Keep the right heel slightly
off the gound.
114
42. Execute a middle block to AD with a double arc-hand
while forming a right walking stance toward AC and
looking through the hands.
Right walking stance toward AC with a
double are-hand middle block to AD.
—
Application
Previous Posture
Keep both heels slightly
off the ground.
Back View
115
43. Execute a high inward strike to AC with the left knife-
hand and bringing the right side fist in front of the left
shoulder while maintaining a right walking stance
toward АС.
Right walking stance high inward strike
with the left knife-hand toward АС.
116
“, . Keep the left heel slightly off the ground.
~*~
|
№
<
*. 1
Back View
118
44. Execute a circular block to AD with the right inner
forearm while forming a left walking stance toward D.
Left walking stance toward D with a right
inner forearm circular block to AD.
3
— Keep both heels slightly
off the ground.
Application
119
45. Execute a high punch to D with the left fist while main-
tanining a left walking stance toward D.
Left walking stance high punch
with the left fist toward D.
120
ay
Previous Posture
\ Keep the right heel slightly
of the ground.
Side View
122
46. Execute a low front snap kick to D with the right foot,
keeping the position of the hands as they were in 45.
<
Low front snap kick to D
with the right foot.
47. Lower the right foot to D to form а right walking stance
toward D while executing a middle punch to D with the
right fist.
Right walking stance middle punch
with the right fist toward D.
124
48. Execute a middle punch to D with the left fist while
maintaining a right walking stance toward D.
Perform 47 and 48 in a fast motion.
Right walking stance middle punch
with the left fist toward D.
126
Posture
Keep the left heel slightly
off the ground.
=
A}
ра
С
3
A
127
49. Execute а rising block with ап X-knife-hand while
maintaining a right walking stance toward D.
Right walking stance toward D with
the X-knife-hand rising block.
128
Previous Posture
Keep the left heel slightly
off the ground.
129
50. Move the left foot to D, and then slide to D, turning
counter-clockwise to form a right L-stance toward C
while executing a low guarding block to C with a knife-
hand.
Right L-stance knife-hand low
guarding block toward C.
130
Previous Posture
Other View
Keep the left heel slightly
off the ground.
51. Jump to С, spinning сошиег-сюску1зе to form a right L-
stance toward D while executing a middle guarding block
to D with the forearm.
Jumping to С turning-counter-clockwise.
Right L-stance forearm middle
guarding block toward D.
132
134
52. Execute а low block to D with the right knife-hand and a
middle side front block to D with the left inner forearm
while forming a left walking stance toward D, slipping the
left foot.
Left walking stance knife-hand low blow
and inner forearm middle side front block
toward О,
‚2
135
53. Execute a high punch to D with the right fist while
maintaining a left walking stance toward D.
Perform 52 and 53 in a continuous motion.
Left walking stance high punch
with the right fist toward D.
136
Previous Posture
> = = 2 я : Е:
=t =
= §
E65 =
зо
Se as $ aS
137
54. Execute a middle punch to D with the left fist while
forming a right-L-stance toward D, pulling the left foot.
Right L-stance middle punch with
the left fist toward D.
55. Move the right foot to D, and then slide to D, turning
clockwise to form a left L-stance toward С while execu -
ting a low guarding block to C with a knife-hand.
Left L-stance knife-hand low
guarding block toward С.
140
Application
Previous Posture
Keep the right heel slightly
off the ground.
Side View
141
56. Татр to С, spinning clockwise to form a left L-stance
toward D while executing a middle guarding block to D
with the forearm.
Jumping to C turning clock-wise.
Left L-stance forearm middle
guarding block toward D.
142
57. Execute a low block to D with the left knife-hand and a
middle side front block to D with the right inner forearm
while forming a right walking stance toward D, slipping
the right foot.
Right walking stance knife-hand low
block and inner forearm middle side
front block toward D.
` ый’
145
146
58. Execute a high punch to D with the left fist while
maintaining a right walking stance toward D.
Perform 57 and 58 in a continuous motion.
Right walking stance high punch
with the left fist toward D.
Previous Posture
Keep the left heel slightly
off the ground.
=
3
>
Е
147
148
59. Execute а middle punch to D with the right fist while
forming a left L-stance toward D, pulling the right foot.
Left L-stance middle punch with
the right fist toward D.
149
60. Move the right foot to the side rear of the left foot, and
then slide to C, forming a left L-stance toward D at the
same time executing a scooping block with the right palm.
fal
Left L-stance toward D with a right
palm scooping block.
150
>
£
8
z
5
=
В
3
=
[5
£
151
152
61. Shift to D, maintaining a left L-stance toward D while
executing a middle punch to D with the left fist.
Left L-stance middle punch with
the left fist toward D.
Previous Posture
Application
154
62. Turn С clockwise while forming a left bending ready
stance A toward С.
Left bending ready stance А toward С
156
63. Execute а middle side piercing kick to С with the right
foot.
Middle side piercing kick to
C with the right foot.
64. Lower the right foot to С, forming а right walking stance
toward С while executing a middle punch to С with the left
fist.
a
ae
Right walking stance middle punch
right the left fist toward С.
168
65. Move the right foot to О, forming a right L-stance toward
C while executing a middle guarding block to C with a
knife-hand.
o
Right L-stance knife-hand middle
guarding block toward C.
160
Previous Posture
161
66. Move the left foot to the side rear of the right foot, and
then slide to D, forming a right L-stance toward C while
executing a scooping block with the left palm.
Right L-stance toward С with
a left palm scooping Block.
162
Previous Posture
Raise the body slightly
Side View
164
67. Shift to С, maintaining a right L-stance toward С while
executing a middle punch to © with the right fist.
Right L-stance middle punch with
the right fist toward С.
8
2
$
з
=
165
68. Turn counter-cleokwise while forming а right bending
ready stance A toward D.
Right bending ready stance
A toward D.
166
a
168
69. Execute a middle side piercing kick to D with the left foot.
Middle side piercing kick to D
with the left foot.
Application
169
70. Lower the left foot to D to form a left walking stance
toward D at the same time executing a middle punch to D
with the right fist.
Left walking stance middle punch
with the right fist toward О.
170
172
71. Move the left foot to С to form a left L-stance toward D
while executing a middle guarding block to D with a
knife-hand.
&
Left L-stance knife-hand middle
guarding block toward D.
Other View
173
174
72. Execute a high punch to D with the right fist while
forming a right walking stance toward D, slipping the
right foot.
Perform 71 and 72 in а continuous motion.
Right walking stance high punch
with the right fist toward C.
176
END: Bring the right foot back to a ready posture.
Close ready stance A toward 0
177
178
ADDITIONAL TECHNIQUES
FOR
PATTERN SE-JONG
Fixed Stance Forearm High Guarding Block
(Gojung So Palmok Nopunde Daebi Makgi)
Front View
Side View
The fist reaches the eye level of the defender
Diagonal Stance Twin Palm Pressing Block
(Sasun So Sang Sonbadak Noollo Makgi)
Front View
Side View
One-Leg Stance Forearm Outward Block
(Waebal So Ритой Bakuro Makgi)
Front View
Side View
==>
The right fist reaches the eye level and
the left forearm reaches the same level а5 the
waist of the defender.
Walking Stance Palm Obverse Pressing Block
(Gunnun So Sonbadak Baro Noollo Makgi)
Side View
Front View Le
\
181
One-Leg Stance Back Fist Side Front Strike
(Waebal So Dung Литой Yobap Taerigi)
Front View
Side View
Fixed Stance Side Elbow Thrust
(Gojung So Yop Palkup Tulgi)
Front View Side View
L-Stance Knife-Hand High Guarding Block
(Niunja So Sonkal Nopunde Daebi Май)
Front View
Side View
Back View
183
emer mer Bassto
ete opew<
ELAS
ce
ear dae
Keetecsé
Pew ned
184
PATTERN SE-JONG
This pattern is practised by the
5th degree.
DIAGRAM: -Е
MOVEMENTS: 24
READY POSTURE: CLOSE READY STANCE B.
185
186
DIAGRAM ( Yon Moo Son)
Ready Posture („ип Jase)
Ц
Close ready stance В toward D,
187
1. Move the left foot to В, forming a left walking stance
toward B at the same time executing a low block to B with
the left forearm.
Left walking stance low block with
the left forearm toward B.
188
2. Bring the left foot to the right foot, and then move the right
foot to A to form a left L-stance toward A while executing a
twin forearm block to A.
Left L-stance twin forearm
block toward A
190
Application
191
3. Execute a middle side piercing kick to D
with the right foot.
Middle side piercing kick to D
with the right foot.
192
194
4. Lower the right foot to D, and then move the left foot to F to
form a left walking stance toward F while executing a
rising block with the left forearm.
Left walking stance toward F with
a left forearm rising block.
Application
Previous Posture
Keep the right heel slightly
off the ground.
196
5. Bring the left foot to the right foot, and then move the right
foot to E to form a sitting stance toward D while executing
a middle side strike to E with the right knife-hand.
Sitting stance toward D with a right
knife-hand middle side strike to Е.
Application
Keep the left heel slightly
off the ground.
197
6. Bring the right foot to the left foot, forming
a close ready stance B toward D.
Close ready stance B toward D.
Application
199
7. Jump to D to form a left X-stance toward DG while
executing a high side strike to D with the left back fist,
bringing the right finger belly to the left side fist.
lo
< St)
~
a)
Left X-stance toward DG with a left
back fist high side strike to D.
200
Application
201
202
8. Move the right foot to G, forming a right walking stance
toward G while executing a high punch to G with the right
fist.
Right walking stance high punch
with the right fist toward С.
9. Move the right foot on line GH to form a left fixed stance
toward H while executing a high guarding block to H with
the forearm.
Left fixed stance forearm high
guarding block toward H.
> я
> у
Fa
=’)
aS
Keep the right heel slightly
off the ground.
205
10. Move the right foot to H, forming aright walking stance
toward H while executing a middle thrust to H with the
right straight fingertip.
Right walking stance middle thrust with the right
straight fingertip toward H.
Front View
Previous Posture
Application
Top View
207
208
11. Bring the right foot to the left foot, and then move the left
foot to G to Form a left walking stance toward G while
executing a high side strike to G with the left back fist.
Left walking stance high side strike
with the left back fist toward С.
-
р a
ge $--
4 ~~.
и Е.
м ond |
=>
12. Move the left foot on line GH to form a sitting stance toward
C while executing a scooping block with the left palm.
Sitting stance toward С with a left palm scooping block.
210
“9
Application
211
212
13. Execute а middle turning kick to C with the left foot.
Middle turning kick to © with the
left foot.
ff
214
14. Lower the left foot to С in a jumping motion, forming a
left X-stance toward CF while executing a high block to C
with the left double forearm.
Left X-stance toward CF with a double
forearm high block to C.
| 4 & =
e em erg
ra
т
216
15. Move the right foot to Е to form a sitting stance toward С
while extending the right fist horizontally to C.
Perform in a slow motion.
Sitting stance with the right fist
extended horizontally toward C.
D7
NL
16. Execute a front strike to С with the left back fist
while maintaining a sitting stance toward C.
Sitting stance front strike with
the left back fist toward С.
218
17. Bring the right foot behind the left foot, and then move the left foot
to E, forming a left diagonal stance toward C while executing a
pressing block with a twin palm.
Left diagonal stance toward C with
a twin palm pressing block.
220
221
18. Execute a middle block to C with a double arc-hand
while forming a left walking stance toward CE.
с
Left walking stance toward CE with a
double arc-hand middle block to С.
222
Previous Posture
Keep both heels slightly
off the ground.
Other View
223
19. Pull the left reverse footsword to the right knee joint to
form a right one-leg stance toward C at the same time
executing a high side block to F with the right outer
forearm and a low side block to E with the left forearm.
Right one-leg stance toward C with а
right outer forearm high side block.
224
Previous Posture
Application
225
20. Lower the left foot to D, forming a right walking stance
toward С while executing a pressing block with the right
palm.
Perform in a slow motion.
Right walking stance toward С with
а right palm pressing block.
226
Application
Previous Posture
Side View
Keep the left heel slightly
off the ground.
\
21. Pull the left instep to the follow of the right leg to form a
right one-leg stance toward С while striking the left palm
with the right back forearm.
as’
с
Right one-leg stance high side front strike
with the right back fist toward C.
228
22. Lower the left foot to С, turning clockwise to form а right
fixed stance toward D while thrusting to C with the left
side elbow.
Right fixed stance toward D with
a left side elbow thrust to C.
230
3
s
=
<
232
Left L-stance knife-hand high
guarding block toward A.
23. Move the right foot to A, forming a left L-stance toward A
while executing a high guarding block to A with a knife-
Application
234
24. Bring the right foot to the left foot, and then move the left
foot to B to form a right L-stance toward B while
executing a middle punch to B with the right fist.
Right L-stance middle punch with
the right fist toward В.
Sa
и п РР
ig Е
235
END: Bring the left foot back to a ready posture.
Close ready stance B toward D.
236
Top View
237
ADDITIONAL TECHNIQUES
FOR
PATTERN TONG-IL
239
Walking Stance Twin Fist Middle Punch
(Gunnun So Sang Joomuk Kaunde Jirugi)
\
Front View
Side View
Rear Foot Stance Forearm Middle Inward Block
( Dwithal So Palmok Kaunde Апито Makgi)
Side View
w
)
Front View
240
Walking Stance Palm Low Inward Block
(Gunnun So Sonbadak Najunde Апито Makgi)
Side View
The palm reaches the same level as
Front View the lower abdomen of the defender.
го! «
L-Stance Back Hand High Outward Strike
(Niunja So Sondung Nopunde Bakuro Taerigi)
Front View
Side View
241
L-Stance Twin Palm Horizontal Block
(Niunja So Sang Sonbadak Soopyong Makgi)
Side View
The palms reach the same level
at the chest of the defender Front View
Outward Vertical Kick (Bakuro Sewo Chagi)
Side View
= The foot reaches the shoulder
Front View level of the attacker.
242
Walking Stance Reverse Knife-Hand High Obverse Side Block
(Gunnun So Sonkaldung Nopunde Baro Yop Май)
Front View
ine:
\
Walking Stance Reverse Knife-Hand Middle Reverse Side Block
(Gunnun So Sonkaldung Kaunde Bandae Yop Makgi)
Side View
Front view
Side View
Downward Kick (Naeryo Chagi)
Side View
Front View
L-Stance Back Fist Downward Strike (Niunja So Dung Joomuk Naeryo Tuerigi)
Front View
Side View
Keep the elbow slightly bent.
244
Inward Vertical Kick (Anwro бемо Chagi)
Side View
Front View
Rear Foot Stance Bow Wrist Upward Block
(Dwitbal So Sonmokdung Ollyo Makgi)
Front View
Side View
The blocking tool reaches the same
level of the defender’s solar plexus.
245
Walking Stance Angle Fingertip High Thrust
(Gunnun So Homi Sonkut Nopunde Tulgi)
Side View
L-Stance Reverse Knife-Hand Low Guarding Block
(Niunja So Sonkaidung Najunde Daebi Makgi)
The blocking too) reaches the
Front View target in a circular motion
246
Sitting Stance Outer Forearm Sliding W-Shape Block
(Annun So Bakat Palmok Mikulmyo San Makgi)
Side View Front View
Walking Stance Under Fist Front Strike
(Gunnnun So Mit Joomuk Ap Taerigi)
Side View
\_
Л
Front View
247
Walking Stance Knife-Hand Circular Block
(Gunnun So Sonkal Dollimyo Makgi)
Front View
Close Stance Twin Side Back Elbow Thrust
(Moa So Sang Yopdwi Palkup Tulgi)
Front View
Back View
Walking Stance Palm Middle Pushing Block
(Gunnun So Sonbadak Kaunde Miro Makgi)
Side View
Front View
Sitting Stance Side Punch (Annun So Yop Jirugi)
Front View
Side View
249
PATTERN TONG-IL
This pattern is practised by the
6th degree.
DIAGRAM:
MOVEMENTS: 56
READY POSTURE: SEE PICTURE
251
DIAGRAM | Yon
Cc
252
Ready Posture (Junbi Jase)
Parallel stance toward D
253
254
Move the right foot to C to form a left walking stance
toward D while executing a middle punch with a twin fist
to D.
Perform in a slow motion.
= er
Left walking stance middle punch
with a twin fist toward D.
Application
= < yin
Move the left foot to С to form а right walking stance
9 toward D while executing a horizontal strike with a twin
knife-hand.
Perform in a slow motion.
Right walking stance toward D with a
twin knife-hand horizontal strike.
256
3. Move the left foot to D, forming a right rear foot stance
toward D while executing a middle inward block to D with
the left outer forearm.
Right rear foot stance middle inward block
with a left outer forearm toward D.
268
4. Execute a low inward block to D with the right palm while
forming a left walking stance toward D, slipping the right
foot, and bringing the left side fist in front of the right
shoulder.
Left walking stance low inward block
with the right palm toward D.
260
5. Move the right foot to D, forming a left L-stance toward D
while executing a middle punch to D with the right fist.
Left L-stance middle punch with
the right fist toward 0
262
=
264
6. Execute а middle punch to D with the left fist while
maintaining a left L-stance toward О. Perform 5 and 6 in
a fast motion,
Left L-stance middle punch with
the left fist toward D.
7. Move the left foot to D in a stamping motion to form а right
L-stance toward D while executing a high strike to D with
the left back hand.
Right L-stance high strike with
the left back hand toward D.
266
268
8. Execute an inward vertical kick to the left
palm with the right reverse footsword.
Inward vertical kick to D with
the right reverse footsword,.
269
270
9. Lower the right foot to D in а stamping motion, forming a
left L-stance toward D while executing a high strike to D
with the right back hand.
Left L-stance high strike with
the right back hand toward D.
10. Execute an inward vertical kick to the right
palm with the left reverse footsword.
Inward vertical kick to D with
the left reverse footsword
272
274
11. Lower the left foot to D, and then execute а horizontal
block with a twin palm while forming a right L-stance
toward D, slipping the left foot.
Perform in a slow motion.
Right L-stance toward D with a
twin palm horizontal block.
eB
275
12. Move the right foot to D, forming a right walking stance
toward D while executing a high side block to D with the
right reverse knife-hand.
Perform in a slow motion.
Right walking stance high side block with
the right reverse knife-hand toward D.
276
13. Execute a middle side block to D with the left reverse
knife-hand while maintaining a right walking stance
toward О.
Perform in a slow motion.
Right walking stance middle side block with
the left reverse knife-hand toward D.
278
=
=)
=
es
a
Е
=
<=
&
®
=
|
a
$
я
off the ground.
Side View
280
14. Execute a middle punch to D with the right fist while
maintaining a right walking stance toward D.
Right walking stance middle punch
with the right fist toward D.
Keep the left heel slightly
od)
281
15. Execute a middle punch to D with the left fist while
maintaining a right walking stance toward О.
Perform 14 and 15 in a fast motion.
Right walking stance middle punch
with the left fist toward D.
282
16. Execute a downward kick to AC with the right foot, keeping
the position of the hands as they were in 15.
Downward kick to АС with the right foot.
Application
Previous Posture
Side View
8
я
>
-. 5
3
i)
285
286
17. Lower the right foot to С in a stamping motion, forming a
left L-stance toward C while executing a downward strike
to C with the right back fist.
Left L-stance downward strike with
the right back fist toward С,
288
18. Execute an outward vertical kick to BC with the left foot,
keeping the position of the hands as they were in 17.
Outward vertical kick to BC with the left foot.
3
2
a
Cy
<
290
19. Lower the left foot to С in a stamping motion to form a
right L-stance toward С while executing a downward
strike to С with the left back fist.
eg,
Right L-stance downward strike with
the left back fist toward С.
292
20. Execute a high punch to D with the left fist while forming
a right walking stance toward D, pivoting with the left
foot.
Right walking stance high punch
with the left fist toward D.
294
21.
Execute a high punch to D with the right fist while
maintaining a right walking stance toward D.
Perform 20 and 21 in a fast motion.
Right walking stance high punch
with the right fist toward D.
22. Move the left foot to О, forming a right rear foot stance
toward D while executing an upward block with the left
bow wrist.
Right rear foot stance toward D
with a left bow wrist upward block.
296
Application
Side View
297
23. Move the right foot to D to form a left rear foot stance
toward D while executing an upward block with the
right bow wrist.
Left rear foot stance toward D with
8 right bow wrist upward block.
238
299
24. Move the left foot to С, forming a left walking stance
toward С while executing a pressing block with the left
palm.
Left walking stance toward С with
a left palm pressing block.
Previous Posture
Other View
301
25. Move the right foot to С to form a right walking stance
toward С while executing a pressing block with the right
palm.
~.
aes
ож
Ре"
Right walking stance toward С with
a right palm pressing block.
Application
Side View
303
26. Bring the left foot to the right foot to form a close stance
toward С while bringing both back hands in front of the
lower abdomen in a circular motion, hitting the left palm
with the right knife-hand.
Close stance low front block with
the right knife-hand toward C.
Previous Posture
Application
305
27. Move the left foot to D, forming a left walking stance
toward D while executing a rising block with the left
knife-hand.
Left walking stance toward D with
a left knife-hand rising block.
Я
| dee WX
= L. ie a
28. Execute а high punch to D with the right fist while
maintaining a left walking stance toward D.
Left walking stance high punch
with the right fist toward D.
right heel slightly
und.
Keep the
off the gro
309
29. Slide to D to form а left L-stance toward D while
executing an upset punch to D with the left fist, and
bringing the right side fist in front of the left shoulder.
Left L-stance upset punch with
the left fist toward D.
310
312
30.
Move the right foot to С, forming a left walking stance
toward D while executing a high thrust to D with the
right angle fingertip.
Left walking stance toward D with a
right angle fingertip high thrust.
31. Move the left foot on line CD to form а right walking
stance toward C while executing a rising block with the
right knife-hand.
Right walking stance toward C with
a right knife-hand rising block.
314
Side View
Keep the left heel slightly
off the ground.
315
32. Execute a high punch to С with the left fist while
maintaining a right walking stance toward C.
Right walking stance high punch
with the left fist toward С.
316
33. Slide to С, forming a right L-stance toward С while
executing an upset punch to C with the right fist,
bringing the left side fist in front of the right shoulder.
ca—>*
Right L-stance upset punch with
the right fist toward D.
320
34. Move the left foot to D to form а right walking stance
toward C while executing a high thrust with the left
angle fingertip.
Right walking stance toward C with
a left angle fingertip high thrust.
322
35. Execute а low guarding block to С with a reverse knife-
hand in a circular motion while forming a left L-stance
toward С, pivoting with the left foot.
Left L-stance reverse knife-hand
low guarding block toward C.
36. Execute a low guarding block to D with a reverse knife-
hand ina circular motion while forming a right L-stance
toward D, pivoting with the right foot.
Right L-stance reverse knife-hand
low guarding block toward О.
324
>
Side View
325
326
37. Execute а low block with the right forearm and a middle
side front block with the left knife- hand while forming
a left walking stance toward D, slipping the left foot.
Left walking stance forearm low block and
knife-hand middle side front block toward D.
Application
Side View
327
38. Move the right foot to D т a stamping motion to form a
right walking stance toward D at the same time
executing a high vertical punch to D with a twin fist.
Right walking stance twin fist
high vertical punch toward D.
39. Pull the right reverse footsword to the left knee joint,
forming a left one-leg stance toward D while striking the
left palm with the right back forearm.
3
Left one-leg stance side front strike
with a right back fist toward D.
330
a
| у
331
332
40. Execute a middle back piercing kick to C with the right
foot, pulling both hands in the opposite direction.
Middle back piercing kick to С
with the right foot.
41. Lower the right foot to C to form a sitting stance toward
A while executing a W-shape block with the outer
forearm.
Sitting stance toward A with outer
forearm W-shape block.
334
42. Slide to С, maintaining a sitting stance toward A while
executing a W-shape block with the outer forearm.
{=>
Sitting stance toward А with the
outer forearm W-shape block.
336
43. Move the right foot to D in a stamping motion, turning
counter-clockwise to form a sitting stance toward B
while executing a W-shape block with the outer
forearm.
{>
“~—
Sitting stance toward B with the
outer forearm W-shape block.
338
Keep the forearms straight with
the outer forearms faced B.
44. Slide to С, maintaining a sitting stance toward В while
executing a W-shape block with the outer forearm.
1}
Sitting stance toward В with the
outer forearm W-shape block.
< rc
ry ¥
45. Pull the left reverse footsword to the right knee joint to form
aright one-leg stance toward C at the same time striking the
right palm with the left back forearm.
Right one-leg stance with a left back
fist side front strike toward C.
342
8
: a
Ё —
я О ОНИ
344
46. Execute a middle back piercing kick to D with the left
foot, pulling both hands in the opposite direction.
Middle back piercing kick to D
with the left foot.
346
47. Lower the left foot to С in a jumping motion, forming a
left X-stance toward С while executing a pressing block
wiht an X-fist.
Left X-stance toward C with
an X-fist pressing block.
48. Move the right foot to D, forming a left walking stance
toward С while executing a front strike with the left under
fist.
Left walking stance toward С with
a left under fist front strike
8
ks
49. Move the right foot to C to form a right walking stance
toward C while executing a front strike with the right
under fist.
Right walking stance toward C with
a right under fist front strike.
350
50. Execute a middle pushing block to C with the left palm
while maintaining a right walking stance toward С.
Right walking stance middle pushing
block with the left palm toward С.
362
Application
Keep the left heel slightly Sice View
off the ground.
353
51. Execute а circular block to AD with the right knife-hand
while forming a left walking stance toward AD.
Left walking stance circular block with the right
knife-hand toward AD.
354
356
52. Move the left foot to С to form a left walking stance
toward С while executing a middle pushing block to C with
the right palm.
\
\
\
\
\
|
|
|
|
р
I
/
/
/
/
/
«<?
Right walking stance middle pushing
block with the right palm toward С.
53. Execute a circular block to BD with the left knife-hand
while forming a right walking stance toward BD.
Right walking stance circular block
with the left knife-hand toward BD.
358
54. Execute a middle side piercing kick to D with the right
foot, forming a forearm guarding block, and then lower it
to the left foot to form a close stance toward D while
executing a twin side back elbow thrust.
Previous Posture
Middle side piercing kick Close stance toward D with a
to D with the right foot. twin side back elbow thrust.
360
2 :
.. _® >. =
>»
“ р
Ме ь
#
г _
55. Move the left foot to D, forming a sitting stance toward A
while executing a middle side punch to D with the left fist.
Sitting stance toward A with a left
fist middle side punch to D.
362
364
56. Execute а middle punch to D with the right fist while
forming a left walking stance toward D, pivoting with the
left foot.
Left walking stance middle punch
with the right fist toward D.
| №
366
END: Bring the right foot back to a ready posture.
@e<____---&)
Parallel stance toward D.
‘eo
SYNOPSIS
The Encyclopedia of Taekwon-Do consists of 15 volumes. The contents
of each volume is listed below:
VOLUME I:
VOLUME Il:
VOLUME III:
VOLUME IV:
VOLUME V:
VOLUME VI:
VOLUME VII:
1) Origin and Development of Martial Arts
2) History of Taekwon-Do
3) Moral Culture
4) Philosophy
5) Training Schedule
6) Cycle and Composition of Taekwon-Do
7) Demonstration
A) Model Sparring
B) Pre-arranged Free Sparring
C) Sample of Self-defence Techniques
8) About the Author
9) Group photos
1) Theory of Power
2) Attacking and Blocking Tools
3) Vital Sports
4) Training
A) Training Hall
B) Conduct in Do Jang
C) Training Equipment
D) Practice Suits
5) Stances
6) Training Aids
Hand Techniques
Foot Techniques
Sparring
Fundamental Exercises (A)
Fundamental Exercises (B)
VOLUME VIII:
VOLUME Ix:
VOLUME x:
VOLUME XI:
VOLUME ХИ:
VOLUME ХИ:
VOLUME XIV:
VOLUME ХУ:
1)
2)
3)
4)
5)
1)
2)
3)
1)
2)
3)
4)
1)
2)
3)
Four- Direction Punch
Four-Direction Block
Pattern Chon-Ji
Pattern Dan-Gun
Pattern Do-San
Pattern Won-Hyo
Pattern Yul-Guk
Pattern Joong-Gun
Pattern Toi-Gae
Four-Direction Thrust
Pattern Hwa-Rang
Pattern Choong-Moo
Pattern Gwang-Gae
Pattern Po-Eun
Pattern Ge-Baek
1)Pattern Eui-Am
2)
3)
1)
2)
3)
1)
2)
3)
1)
2)
3)
Pattern Choong-Jang
Pattern Juche
Pattern Sam-ll
Pattern Yoo-Sin
Pattern Choi-Yong
Pattern Yon-Gae
Pattern Ul-Ji
Pattern Moon-Moo
Pattern So-San
Pattern Se-Jong
Pattern Tong-ll
ИЕ