ENCYCLOPEDIA
OF
TAEKWON-DO
GEN. CHOI HONG HI
VOLUME ХИ
TABLE OF CONTENTS
(Mokcha)
TENETS:OF TAEKWON=DO! „ее oe ww
EXPLANATION OF TENETS ..... Sees mall
РАТТЕВМ: 2: зо Om we we: wee ммм
Interpretation of Patterns ...........
GENERALINFORMATION............
ADDITIONAL TECHNIQUES FOR
РАТТЕВЫ:Е ЕАМ: a: se: ee ee oe та инь
PATTERW EUWIFAM ул рые
ADDITIONAL TECHNIQUES FOR
PATTERN CHOONG-JANG ...........
PATTERN CHOONG-JANG .......
ADDITIONAL TECHNIQUES FOR
РАЛТЕВМ:ЗОСНЕ: „дк oe we eee ere we aM
PATTERNJUCHE ху ооо eG ee
SYNOPSIS: 2a hia ны к цена
СЕМ. CHO! HONG HI
President
International Taekwon-Do Federation
Ye
Е
=
Же жены я
THE ТЕМЕТ$ OF TAEKWON-DO
(Taekwon-Do Jungshin)
TAEKWON-DO AIMS TO ACHIEVE
Courtesy (Ye Ui)
Integrity (Yom Chi)
Perseverance (/n Nae)
Self-Control (Guk Gi)
Indomitable Spirit v
(Baekjul Воо/доо/!)
Bite М
ЗЕ ОА
@ ofeR aA
Ra 2 alos
EXPLANATION OF TENETS
Needless to say, the success or failure of Taekwon-Do training depends
largely on how one observes and implements the tenets of Taekwon-Do which
should serve as a guide for all serious students of the art.
COURTESY (Ye Ui) Taekwon-Do students should attempt to practise the following elements
of courtesy to build up their noble character and to conduct the training in an
orderly manner as well.
1) To promote the spirit of mutual concessions 2) To be ashamed of one’s vices, contempting those of others 3) To be polite to one another 4) To encourage the sense of justice and humanity 5) To distinguish instructor from student, senior from junior, and elder
from younger
6) To behave oneself according to etiquette 7) To respect others’ possesions 8) To handle matters with fairness and sincerity 9) To refrain from giving or accepting any gift when in doubt
11
INTEGRITY (Yom Chi)
In Taekwon-Do, the word integrity assumes a looser definition than the
one usually presented in Webster's dictionary. One must be able to define right
and wrong, and have the conscience, if wrong, to feel guilt. Listed are some
examples, where integrity is lacking:
1. The instructor who misrepresents himself and his art by presenting
improper techniques to his students because of a lack of knowledge or
apathy.
2. The student who misrepresents himself by “fixing” breaking materials
before demonstrations.
3. The instructor who camouflages bad techniques with luxurious
training halls and false flattery to his students.
4. The student who requests rank from an instructor, or attempts to purchase it. 5. The student who gains rank for ego purposes or the feeling of power. 6. The instructor that teaches and promotes his art for materialistic gains. 7. The student whose actions do not live up the words. 8. The student who feels ashamed to seek opinions from his juniors.
PERSEVERANCE (/n Nae)
There is an old Oriental saying, ‘Patience leads to virtue ог merit” “One
can make a peaceful home by being patient for 100 times.” Certainly,
happiness and prosperity are most likely brought to the patient person. To
achieve something, whether it is a higher degree or the perfection of a
technique, one must set his goal, then constantly persevere. Robert Bruce
learned his lesson of perseverance from the persistant efforts of a lowly spider.
It was this perseverence and tenacity that finally enabled him to free Scotland
in the fourteenth century. One of the most important secrets in becoming a
leader of Taekwon-Do is to overcome every difficulty by perseverance.
Confucious said; ‘‘one who is impatient in trivial matters can seldom
achieve success in matters of great importance.”
12
SELF-CONTROL (Guk Gi)
This tenet is extremely important inside and
outside the do jang, whether conducting oneself in
free sparring or in one’s personal affairs. A loss of self-
control in free sparring can prove disasterous to both
student and opponent. An inability to live and work
within one’s capability or sphere is also a lack of self-
control.
According to Lao-Tzu “the term of stronger is the
person who wins over oneself rather than someone
else.”
INDOMITABLE SPIRIT (8aekju/ Boo/gool)
“Here lie 300, who did their duty,” a simple
epitaph for one of the greatest acts of courage known
to mankind.
Although facing the superior forces of Xerxes,
Leonidas and his 300 Spartans at Thermopylae
showed the world the meaning of indomitable spirit. It
is shown when a courageous person and his prin-
ciples are pitted against overwhelming odds.
Aserious student of Taekwon-Do will at all times
be modest and honest. If confronted with injustice, he
will deal with the belligerent without any fear or
hesitation at all, with indomitable spirit, regardless of
whosoever and however many the number may be.
Confucius declared, “‘it is an act of cowardice to
fail to speak out against injustice.”
As history has proven those who have pursued
their dreams earnestly and strenuously with indomit-
able spirit have never failed to achieved their goals.
“Pursue one’s own goal”
13
PATTERNS (Tui)
The ancient law in the Orient was similar to the law of Hamurabi, “ап eye
for an eye, a tooth for a tooth,” and was rigorously enforced even if death was
caused accidentally.
In this type of environment, and since the present system of free sparring
had not yet been developed, it was impossible for a student of the martial arts to
practise or test his individual skill of attack and defense against actual moving
opponents.
Individual advancement was certainly hindered until an imaginative
practitioner created the first patterns.
Patterns are various fundamental movements, most of which represent
either attack or defense techniques, set to a fixed and logical sequence.
The student systematically deals with several imaginary opponents under
various assumptions, using every available attacking and blocking tool from
different directions. Thus pattern practice enables the student to go through
many fundamental movements in series, to develop sparring techniques,
improve flexibility of movements, master body shifting, build muscles and
breath control, develop fluid and smooth motions, and gain rythmical
movements.
It also enables a student to acquire certain special techniques which
cannot be obtained from either fundamental exercises or sparring. In short, a
pattern can be compared with a unit tactic or a word, if fundamental movement
is an individual soldier's training or alphabet. Accordingly, pattern, the ledger
of every movement, is a series of sparring, power tests, feats and characteristic
beauty.
Though sparring may merely indicate that an opponent is more or less
advanced, patterns are a more critical barometer in evaluating an individual's
technique.
The following points should be considered while performing patterns: 1. Pattern should begin and end at exactly the same spot. This will indicate the performer's accuracy.
14
2. Correct posture and facing must be maintained at all times.
3. Muscles of the body should be either tensed or relaxed at the proper
critical moments in the exercise.
4. The exercise should be performed in a rhythmic movement with an
absence of stiffness.
5. Movement should be accelerated or decelerated according to the
instructions in this book.
. Each pattern should be perfected before moving to the next.
. Students should know the purpose of each movement.
. Students should perform each movement with realism.
. Attack and defense techniques should be equally distributed among
right and left hands and feet.
own on
All patterns in this book are performed under the assumption the student is
facing “О” (see pattern diagrams).
There are a total of twenty-four patterns in Taekwon-Do. The reason for 24 Patterns: The life of a human being, perhaps 100 years, can be considered as a day
when compared with eternity. Therefore, we mortals are no more than simple
travellers who pass by the eternal years of an aeon т a day.
It is evident that no one can live more than a limited amount of time.
Nevertheless, most people foolishly enslave themselves to materialism as if
they could live for thousands of years. And some people strive to bequeath a
good spiritual legacy for coming generations, in this way, gaining immortality.
Obviously, the spirit is perpetual while material is not. Therefore, what we can
do to leave behind something for the welfare of mankind is, perhaps, the most
important thing in our lives.
Here | leave Taekwon-Do for mankind as a trace of man of the late 20th
century.
The 24 patterns represent 24 hours, one day, or all my life.
15
THE INTERPRETATIONS OF PATTERNS
The name of the pattern, the number of movements, and the diagrammatic
symbol of each pattern symbolizes either heroic figures in Korean history or
instances relating to historical events.
CHON-JI:
DAN-GUN:
DO-SAN:
WON-HYO:
YUL-GOK:
JOONG-GUN:
TOI-GYE:
means literally “the Heaven the Earth”. It is, in the Orient,
interpreted as the creation of the world or the beginning of
human history, therefore, it is the initial pattern played by the
beginner. This pattern consists of two similar parts; one to
represent the Heaven and the other the Earth.
is named after the holy Dan-Gun, the legendary founder of
Korea in the year of 2,333 B.C.
is the pseudonym of the patriot Ann Chang-Ho (1876-1938).
The 24 movements represent his entire life which he devoted to
furthering the education of Korea and its independence
movement.
was the noted monk who introduced Buddhism to the Silla
Dynasty in the year of 686 A.D.
is the pseudonym of a great philosopher and scholar Yi! (1536-
1584) nicknamed the “Confucius of Korea”. The 38 movements
of this pattern refer to his birthplace on 38° latitude and the
diagram (++) represents “scholar”.
is named after the patriot Ahn Joong-Gun who assassinated
Hiro-Bumi Ito, the first Japanese governor-general of Korea,
known as the man who played the leading part in the Korea-
Japan merger. There are 32 movements in this pattern to
represent Mr. Ahn’s age when he was executed at Lui-Shung
prison (1910).
is the pen name of the noted scholar Yi Hwang (16th century),
an authority on neo-Confucianism. The 37 movements of the
pattern refer to his birthplace on 37° latitude, the diagram (+)
represents ‘scholar’.
HWA-RANG:
CHOONG-MOO:
KWANG -GAE:
PO-EUN:
GE-BAEK:
EUI-AM:
is named after the Hwa-Rang youth group which originated in
the Silla Dynasty in the early 7th century. The 29 movements
refer to the 29th Infantry Division, where Taekwon-Do de-
veloped into maturity.
was the name given to the great Admiral Yi Soon-Sin of the Yi
Dynasty. He was reputed to have invented the first armoured
battleship (Kobukson) in 1592, which is said to be the precursor
of the present day submarine. The reason why this pattern ends
with a left hand attack is to symbolize his regrettable death,
having no chance to show his unrestrained potentiality checked
by the forced reservation of his loyalty to the king.
is named after the famous Gwang-Gae-Toh-Wang, the 19th
King of the Koguryo Dynasty, who regained all the lost
territories including the greater part of Manchuria. The diagram
(+) represents the expansion and recovery of lost territory. The
39 movements refer to the first two fiqures of 391 A.D., the year
he came to the throne.
is the pseudonym of a loyal subject Chong Mong-Chu (1400)
who was a famous poet and whose poem “I would not serve а
second master though | might be crucified a hundred times” is
known to every Korean. He was also a pioneer in the field of
physics. The diagram (—) represents his unerring loyalty to the
king and country towards the end of the Koryo Dynasty.
is named after Ge-Baek, a great general in the Baek Je Dynasty
(660 A.D.). The diagram (I) represents his severe and strict
military discipline.
is the pseudonym of Son Byong Hi, leader of the Korean
independence movement оп March 1, 1919. The 45 movements
refer to his age when he changed the name of Dong Hak
(Oriental Culture) to Chondo Kyo (Heavenly Way Religion) in
1905. The diagram (1) represents his indomitable spirit, dis-
played while dedicating himself to the prosperity of his nation.
17
CHOONG-JANGis the pseudonym given to General Kim Duk Ryang who lived
JUCHE:
SAM-IL:
YOO-SIN:
CHOI-YONG:
YON-GAE:
18
during the Yi Dynasty, 14th century. This pattern ends with a
left-hand attack to symbolize the tragedy of his death at 27 in
prison before he was able to reach full maturity.
is a philosophical idea that man is the master of everything and
decides everything, in other words, the idea that man is the
master of the world and his own destiny. It is said that this idea
was rooted in Baekdu Mountain which symbolizes the spirit of
the Korean people. The diagram (i) represents Baekdu
Mountain.
denotes the historical date of the independence movement of
Korea which began throughout the country on March 1, 1919.
The 33 movements in the pattern stand for the 33 patriots who
planned the movement.
is named after General Kim Yoo Sin, a commanding general
during the Silla Dynasty. The 68 movements refer to the last two
figures of 668 A.D., the year Korea was united. The ready
posture signifies a sword drawn on the right rather than left side,
symbolizing Yoo Эт’; mistake of following his king’s orders to
fight with foreign forces against his own nation.
is named after General Choi Yong, Premier and Commander-in-
Chief of the Armed forces during the 14th century Koryo
Dynasty. Choi Yong was greatly respected for his loyalty,
patriotism, and humility. He was executed by his subordinate
commanders headed by General Yi Sung Gae, who later
become the first king of the Yi Dynasty.
is named after a famous general during the Koguryo Dynasty,
Yon Gae Somoon. The 49 movements refer to the last two
figures of 649 A.D., the year he forced the Tang Dynasty to quit
Korea after destroying nearly 300,000 of their troops at Ansi
Sung.
UL-JI:
MOON-MOO:
SO-SAN:
SE-JONG:
TONG-IL:
is named after general Ul-Ji Moon Dok who successfully
defended Korea against a Tang's invasion force of nearly one
million soldiers led by Yang Je in 612 A.D., Ul-Ji employing hit
and run guerilla tactics, was able to decimate a large percentage
of the force. The diagram (_) represents his surname. The 42
movements represents the author’s age when he designed the
pattern.
honors the 30th king of the Silla Dynasty. His body was buried
near Dae Wang Am (Great King’s Rock). According to his will,
the body was placed in the sea “Where my soul shall forever
defend my land against the Japanese.” It is said that the Sok Gul
Am (Stone Cave) was built to guard his tomb. The Sok Gul Am
is a fine example of the culture of the Silla Dynasty. The 61
movements in this pattern symbolize the last two figures of 661
A.D. when Moon Moo came to the throne.
is the pseudonym of the great monk Choi Hyong Ung (1520-
1604) during the Yi Dynasty. The 72 movements refer to his age
when he organized a corps of monk soldiers with the assistance
of his pupil Sa Myung Dang. The monk soldiers helped repulse
the Japanese pirates who overran most of the Korean peninsula
in 1592.
is named after the greatest Korean king, Se-Jong, who invented
the Korean alphabet in 1443, and was also a noted meteorol-
ogist. The diagram (3) represents the king, while the 24
movements refer to the 24 letters of the Korean alphabet.
denotes the resolution of the unification of Korea which has
been divided since 1945. The diagram (|) symbolizes the
homogenous race.
Since each pattern has a close relationship with the fundamental excercise,
students, therefore, should practice the patterns according to the following
graduation to attain the maximum results with the least effort.
19
МАМЕ OF TUL
CHON-JI......
YUL-GOK......
JOONG-GUN....
ТО1-СУЕ........
HWA-RANG.....
CHOONG-MOO ...
KWANG-GAE
EUI-AM
CHOONG-JANG ...
JUCHE
SAM-IL
YOO-SIN ......
CHOI-YONG
YONG-GAE
RANK ORDER OF BELT
STA) GUP 8 44.04). WHITE/YELLOW STRIPE
SEA GUP ео YELLOW
TUR'GUP ea sansa. YELLOW/GREEN STRIPE
CTH GUP oe erosions GREEN
STH'GUP хз: GREEN/BLUE STRIPE
АТН: GUPR Has. orders BLUE
SRD: СУР: ... i004 BLUE/RED STRIPE 2ND УР: o's Seis RED TSEGUP Aish waza. RED/BLACK STRIPE
TST DAN Het ccezelens BLACK
2ND DAN....... BLACK SRD’ DANS 3х: BLACK QTH'IDAN: oe wie eels BLACK STHIDAN IES иде BLACK
6THDAN....... BLACK
GENERAL INFORMATION
The purpose of this volume is to teach the beginner students (10th grade
to 7th grade) to perform their patterns with effective technique and realistic
feeling. The student is, therefore, advised to pay special attention to the correct
execution and application of each movement before he attempts to practise his
pattern.
Obviously, the pattern cannot be performed correctly without sufficient
knowledge of the fundamental movements involved. The student should refer
to the relevant volume in this encyclopedia for more detailed information on
each motion. This book is also strongly recommended as a review for all levels
advanced beyond this stage.
The illustrations for all 24 of the pattems contained in this encyclopedia
assume that the student is standing on line AB and facing D.
LEGEND: f — present foot position with the exception of ‘Previous Posture”
{ — Previous foot position
ы — heel slightly off the ground
* — direction of foot travel
“Previous Posture” — posture of immediate preceding movement “Other View” — view of posture from the opposite side “Front View” — the performer's front “Top View” — reader's view from the top “to A,B,C,...etc.” — direction of attack or block to A,B,C....etc. “toward A,B,C,...etc."" — direction of stance toward A,B,C.,,...etc. “Front foot” — refers to the foot which is advanced to the
front.
“Rear foot” — refers to the foot which is placed at the rear. “Left chest” — refers to the left half of the chest. “Right chest” — refers to the right half of the chest.
21
IMPORTANT: Due to the distortion of distance apparent in photographs, the angle of
the feet in stances may appear slightly out of position. The student,
therefore, is encouraged to refer to the feet illustrations rather than the
photograph itself.
Parallel stance
Sitting stance
22
Walking Stance (Сиппип Sogi)
Front View
Back View
L-Stance (Niunja Sogi)
Front View
Back View
23
24
ADDITIONAL TECHNIQUES
FOR
PATTERN EUI-AM
Walking Stance Knife-Hand Low Inward Block
(Gunnun So Sonkal Najunde Anuro Makgi)
Side View
Front View The body becomes full facing the opponent.
Walking Stance Outer Forearm Reverse High Side Block
(Gunnun So Bakat Palmok Nopunde Bandae Yop Makgi)
Front View Side View
* 1. The body becomes half
facing the opponent
2. The fist reaches the eye
level of the defender.
Walking Stance X-Fist Downward Block
(Gunnun So Kyocha Joomuk Naeryo Makgi)
Front View
Side View
Top View
* |. The crossed point reaches the same
level as the solar plexus of the
defender
The crossed point must stay at the
center of the defender’s body.
27
Walking Stance Knife-Hand Reverse Rising Block
(Gunnun So Sonkal Bandae Chookyo Makgi)
Side View
Front View
Top View
* 1. The body becomes full facing the
opponent.
2. The knife-hand must stay at the center of the defender’s forehead.
X-Stance Back Fist High Side Strike
(Kyocha So Dung Joomuk Nopunde Yop Taerigi)
Front View
Side View
* 1. The back fist reaches the attacker's eye level
2. The back fist becomes full facing the opponent
High Reverse Turning Kick (Nopunde Bandae Dollyo Chagi)
Front View
Back View
* |. The back heel is the attacking tool
2. The knee must not be bent throughout the action.
29
Walking Stance High Crescent Punch
(Gunnun So Nopunde Bandal Jirugi)
Front View
Side View
Parallel Stance Middle Turning Punch
(Narani So Kaunde Dollyo Jirugi)
Side View Front View
* 1. The fist must stay at the center of the attacker's body.
2. The fist reaches the same level as the solar plexus of the attacker.
Walking Stance Knife-Hand Middle Wedging Block
(Gunnun So Sonkal Kaunde Hecho Makgi)
Front View
Side View
Walking Stance Reverse Knife-Hand Circular Block
(Gunnun So Sonkaldung Dollimyo Makgi)
Front View
Side View
The body becomes half facing the opponent
31
Rear Foot Stance Twin Palm Downward Block
(Dwitbal So Sang Sonbadak Naeryo Makgi)
Side View
The palms reach the same level as the solar
plexus of the defender.
Front View
L-Stance Knife-Hand Low Outward Block
(Niunja So Sonkal Najunde Bakuro Makgi)
Side View
Front View
The blocking tool reaches the same level
as the scrotum of the defender
32
L-Stance Reverse Knife-Hand Low Inward Block
(Niunja So Sonkaldung Najunde Anuro Makgi)
Front View
Side View
Rear Foot Stance Forearm Middle Guarding Bolck
(Dwitbal So Palmok Kaunde Daebi Makgi)
Side View
Front View
ty
5% <_
Backward Double Stepping (Ло Omgyo Didimyo Duruogi)
36
PATTERN EUI-AM
This pattern is practised by the 2nd
degree and above.
DIAGRAM: |
MOVEMENTS: 45
READY POSTURE: SEE PICTURE
37
DIAGRAM (Yon Moo Son)
Ready Posture (Junbi Jase)
Close stance toward D.
4)
1. Move the right foot to С, forming a left walking stance
toward D while executing a low inward block to D with
the right knife-hand.
Left walking stance toward D with
a right knife-hand low block.
40
Ready Posture
si
|
Keep both palms faced downward.
Application
Side View
The body becomes full facing the opponent.
41
2. Move the left foot to С, forming a right walking stance
toward D while executing a high side block to D with the
left outer forearm.
Right walking stance toward D with a
left outer forearm high side block.
42
Previous Posture
Keep back forearms crossed in
front of the right chest
Application
The body becomes half 3
facing the opponent.
3. Execute а middle punch to D with the right fist while
maintaining a right walking stance toward D.
Right walking stance middle punch with the right fist toward D.
46
4. Execute а low twisting kick to D with the left foot,
keeping the position of the hands as they were in 3.
Low twisting kick to D with the left foot.
Previous Posture
Application
Side View
47
5. Lower the left foot to D, forming a left walking stance
toward D while executing a downward block with an X-
fist.
Left walking stance toward D with
an X-fist downward block.
Previous posture
Keep both palms faced downward.
Application
Side View
49
50
6. Execute a rising block with the right knife-hand, maintaining а left
walking stance toward D.
Perform 5 and 6 in a continuous motion.
Left walking stance toward D with
a right knife-hand rising block.
Previous Posture
Keep the right heel slightly
off the ground.
Side View Application
Side View
51
7. Jump to D, forming a right X-stance toward В while
executing a high strike to D with the right back fist,
bringing the left finger belly to the right side fist.
Right X-stance toward B with a right
back fist high side strike to D.
52
Previous Posture
Application
Side View
53
8. Move the left foot to С, forming а right L-stance toward
C while executing a middle punch to C with the left fist.
_
Ritht L-stance middle punch with the
left middle knuckle fist toward С,
4 \ 4
56
9. Execute а middle reverse turning kick to AC with the right foot.
Middle reverse turning kick to AC
with the right foot
58
10. Lower the right foot to С in a stamping motion to form a sitting
stance toward A while executing a middle side strike to C with the
right knife-hand.
Sitting stance toward A with a right knife-
hand middle side strike to C.
Application
Previous Posture
Side View
Top View
59
11. Execute a middle side piercing kick to C with the left
foot while turning clockwise, pulling both hands in the
opposite direction.
Middle side piercing kick to C
with the left foot.
12. Lower the left foot to С, forming a left walking stance
toward С while executing a high crescent punch with
the right fist.
Walking stance toward С with a
right fist high crescent punch.
62
13. Execute а middle turning punch with the left fist while
forming a parallel stance toward С, pulling the right
foot.
Perform in a slow motion.
yoo et
Parallel stance toward € with
a left fist turning punch.
66
14. Move the left foot to D, forming a right walking stance
toward С while executing a low inward block with the
left knife-hand.
Right walking stance toward C with a
left knife-hand low inward block.
<_<
с
SS
Previous Posture
Application
Side View
Keep both palms faced downward.
Other View
The body becomes full facing the opponent.
67
15. Move the right foot to D, forming a left walking stance
toward C at the same time executing a high side block to
C with the right outer forearm.
Left walking stance right outer
forearm high side block toward С
68
Previous Posture
Keep the back forearms crossed
in front of the left chest.
=.
“-
Other View
The body becomes
half facing the opponent.
70
16. Execute а middle punch to C with the left fist while
maintaining a left walking stance toward C.
Left walking stance middle punch
with the left fist toward С.
Previous Posture
Keep the right heel slightly
off the ground.
Side View
Other View
71
72
17. Execute а low twisting kick to С with the right foot,
keeping the position of the hands as they were in 16.
Low twisting kick to C with
the right foot.
[6
18. Lower the right foot to С, forming a right walking
stance toward C while executing a downward block
with an X-fist.
Right walking stance toward С
with an X-fist downward block.
74
Application
Previous Posture
в
С
\
|
Side View
Keep both palms faced downward.
Other View
75
19. Execute a rising block with the left knife-hand while
maintaining a right walking stance toward C.
Perform 18 and 19 in a continuous motion.
Right walking stance toward C with
a left knife-hand rising block.
76
Application
20. Jump to С, forming а left X-stance toward В while
executing a high strike to C with the left back fist and
bringing the right finger belly to the left side fist.
Left X-stance toward B with a left
back fist high side strike to C.
78
Previous Posture
Application
Top View
Side View
79
80
21. Move the right foot to D, forming a left L-stance toward D while
executing a middle punch to D with the right fist.
S
ce
2
Left L-stance middle punch with
the right fist toward D.
de
Previous Posture
Application
Side View
81
82
22. Execute a middle reverse turning kick
to AD with the left foot.
i
of
Middle reverse turning kick to AD
with the left foot.
Application
Previous Posture
23. Lower the left foot to D in a stamping motion to form
a sitting stance toward A, at the same time executing
a middle side strike to D with a left knife-hand.
Sitting stance toward A with a left
knife-hand middle side strike to D.
Previous Posture
Application
Front View
85
86
24. Execute a middle side piercing kick to D with the right
foot while turning counter-clockwise, pulling both
hands in the opposite direction.
Middle side piercing kick to D
with the right foot.
25. Lower the right foot to D, forming а right walking
stance toward D while executing a high crescent
punch with the left fist.
Right walking stance toward D with
a left fist high crescent punch
od
90
Execute a middle turning punch with the right fist
while forming a parallel stance toward D, pulling the
left foot.
Perform in a slow motion.
Parallel stance toward D with a
right fist middle turning punch
x)
7
~
—----
tee =
-
=<
Previous Posture
Side View
1
Application
Top View
91
27. Move the right foot to D, forming a right walking
stance toward D, at the same time executing a middle
wedging block with a knife-hand.
Right walking stance toward D with
a knife-hand middle wedging block.
92
Previous Posture
Е}
Keep both back fists facing
the opponent.
Application
Side View
93
28. Execute a circular block to BD with the left reverse
knife-hand while maintaining a right walking stance
toward D.
Right walking stance toward D with a left
reverse knife-hand circular block to BD.
Application
eo)
Keep the left heel slightly
off the ground.
96
29. Execute а downward block with the twin palm while
forming a left rear foot stance toward D, pulling the
right foot.
Left rear foot stance toward D with
a twin palm downward block.
Previous Posture
Application
Side View
97
30. Execute а middle punch to D with the left fist while
forming a left L-stance toward D, slipping the right
foot.
Left L-stance middle punch with
the left fist toward D.
98
Previous Posture
Application
Top View
99
31. Execute alow inward block to D with the right reverse
knife-hand while shifting to C, maintaining a left L-
stance toward D.
=
Left L-stance low inward block with
a right reverse knife-hand toward D.
iy
co Hl
eat,
Previous Posture
Keep both side fists faced
downward while raising the
body slightly.
Application
Side View
101
32. Move the left foot to D, forming a left walking stance
toward D while executing a middle wedging block
with a knife-hand.
Left walking stance toward D with a
knife-hand middle wedging block.
102
Top View
Application
РР
Side View
103
83.
Execute a circular block to AD with the right reverse
knife-hand while maintaining a left walking stance
toward О.
Left walking stance toward D with a right
reverse knife-hand circular block to AD.
Previous Posture
Keep the right heel slightly
off the ground
Side View
Top View
105
34. Execute а downward block with а twin palm while
forming a right rear foot stance toward D, pulling the
left foot.
Right rear foot stance toward D with
a twin palm downward block.
106
Previous Posture
Application
Side View
Top View
107
35. Execute a middle punch to D with the right fist while
forming a right L-stance toward D, slipping the left
foot.
Right L-stance middle punch with
the right fist toward D.
Previous Posture
Application
Top View
Back View
36. Execute a low inward block to D with the left reverse
knife-hand while shifting to C, maintaining a right L-
stance toward D.
Right L-stance low inward block with
the left reverse knife-hand toward D.
110
Previous Posture
Keep both palms faced downward
while raising the body slightly.
Application
Top View
37. Execute a high reverse turning kick to BD with the
right foot.
High reverse turning kick to
BD with the right foot.
112
Previous Posture
Application
Top View
113
114
33.
Lower the right foot to D, forming a ieft rear foot
stance toward D while executing a middle guarding
block to D with the forearm.
Left rear foot stance forearm middle
guarding block toward D.
Previous Posture
Application
115
39. Execute а high reverse turning kick to AD with the
left foot.
Reverse turning kick to AD
with the left foot.
116
=
Previous Posture
Application
Side View
117
118
40.
Lower the left foot to D, forming a right rear foot
stance toward D while executing a middle guarding
block to D with the forearm.
Right rear foot stance forearm
middle guarding block toward О.
Previous Posture
Application
Side View |
119
120
41.
Move the left foot to the side rear of the right foot, and
then the right foot to C, forming a right L-stance
toward D while executing a low block to D with the
left knife-hand.
Right L-stance low block with
the left knife-hand toward D.
Previous Posture
Application
Side View
121
122
42. Execute a middle punch to D with the right fist while
forming a left walking stance toward D, slipping the
right foot.
Left walking stance middle punch
with the right fist toward D.
43. Move the left foot to С, forming a left L-stance toward
D while executing a low block to D with the right
knife-hand.
4
aia.
——
ре
—
Left L-stance low block with the
right knife-hand toward О.
124
р<- sa
PI
125
44. Execute a middle punch to D with the left fist while
forming a right walking stance toward D, slipping the
left foot.
Right walking stance middle punch
with the left fist toward D.
126
45. Execute a high punch to D with the right fist while
maintaining a right walking stance toward D.
Right walking stance high punch
with the left fist toward О.
128
Previous Posture
Keep the left heel slightly
off the ground.
Side View
130
END: Bring the right foot back to a ready posture.
Close stance toward D.
Previous Posture
Back View
Side View
131
132
ADDITIONAL TECHNIQUES
FOR
PATTERN CHOONG-JANG
Sitting Stance Inner Forearm High Side Front Block
(Annun So Anpalmok Nopunde Yopap Makgi)
Front View
Side View
Walking Stance Back Fist Front Strike (Gunnun So Dung Joomuk Ap Taerigi)
Front View
Side View
Walking Stance Double Finger Thrust
(Gunnun So Doo Songarak Tulgi)
Front View
Side View
L-Stance Palm Scooping Block (Niunja So Sonbadak Duro Makgi)
Front View
Side View
he palm reaches the same level as the
solar plexus of the defender.
Backward Step-Slide-Turning
(Dwiro Omgyo Didigo Mikulmyo Dolgi)
Right walking stance toward С.
@
Right walking stance toward D
Knee Low Front Snap Kick (Moorup Apcha Busigi)
Front View
Side View
The knee reaches the same level as
the lower abdomen of the attacker.
Rear Foot Stance Twin Palm Pressing Block
(Dwitbal So Sang Sonbadak Noollo Makgi)
Front View Side View
The blocking tool reaches the same
level as groin area of the defender.
Walking Stance Outer Forearm Obverse High Front Block
(Gunnun So Bakat Palmok Nopunde Baro Apmakgi)
Side View
Front View The forearm stays at the center
of the defender’s body.
L-Stance Flat Fingertip High Reverse Thrust
(Niunja So Opun Sonkut Nopunde Bandae Tulgi)
Front View
Side View
The fingertip reaches slightly above
the eye level of the attacker.
L-Stance Back Hand Downward Strike
(Niunja So Sondung Naeryo Taerigi)
Front View
Side View
The back hand reaches the target
in a circular motion
Walking Stance Back Fist Side Front Strike
(Gunnun So Dung Joomuk Yopap Taerigi)
Front View Side View
139
140
L-Stance Reverse Knife-Hand Low Guarding Block
(Niunja So Sonkaldung Najunde Daebi Makgi)
Side View
Front View
Walking Stance 9-Shape Block (Gunnun So Gulja Makgi)
Front View
Walking Stance Twin Knife-Hand Horizontal Strike
(Gunnun So Sang Sonkal Soopyong Taerigi)
Front View
Side View
Walking Stance Arc-Hand High Reverse Strike
(Gunnun So Bandal Son Nopunde Bandae Taerigi)
Front View
Е Side View
~
The arc-hand reaches the same level
as the philtrum of the attacker.
141
Close Stance Twin Fore-Knuckle Fist Crescent Strike
(Moa So Sang Inji Joomuk Bandal Jirugi)
Side View
Front View
Walking Stance Open Fist High Reverse Punch
(Gunnun So Pyonjoomuk Nopunde Bandae Jirugi)
Side View
The open fist reaches the same level
Front View as the philtrum of the attacker.
142
144
PATTERN CHOONG-JANG
This pattern is practised by the 2nd
degree and above.
DIAGRAM: Г
MOVEMENTS: 52
READY POSTURE: CLOSE READY STANCE A.
145
146
DIAGRAM ( Yon Moo Son)
Ready Posture
Close ready stance A toward D
147
1. Move the right foot to A to form а sitting stance toward
D while executing a high side front block with the right
inner forearm and a low block with the left outer
forearm.
Sitting stance foward D with a right
inner forearm high side front block.
148
Side View
Keep the back forearm crossed
in front of the solar plexus.
Previous Posture
——
Application
Side View
149
2. Execute а high side front block with the left inner
forearm and a low block with the right outer forearm
while maintaining a sitting stance toward D.
Sitting stance toward D with a left
inner forearm high side front block.
Previous Posture Raise the body slightly.
Application
3. Bring the right foot to the left foot forming а close
stance toward D while executing an angle punch with
the left fist.
Perform in a slow motion.
Close stance toward D with
a left fist angle punch.
152
Top View
Previous Posture
Application
Side View
153
4. Move the left foot to D to form a left walking stance
toward D while executing a high thrust to D with the
right double finger.
Left walking stance high thrust with
the right double finger toward D.
154
5. Move the right foot to D, forming a right walking
stance toward D, at the same time executing a high
thrust to D with the left double finger.
Right walking stance high thrust with
the left double finger toward D.
6. Execute a front strike to D with the right back fist while
maintaining a right walking stance toward D.
Right walking stance front strike
with the right back fist toward D.
158
7. Move the left foot to D, forming а left walking stance
toward D while executing a rising block with the left
forearm.
Left walking stance toward D with
a left forearm rising block.
160
8. Move the right foot to D to form а right walking stance
toward D, at the same time executing a middle punch to
D with the right fist.
Right walking stance middle punch
with the right fist toward D.
9. Move the right foot to С, turning counter-clockwise and
then slide to С to form a right L-stance toward D while
executing a middle guarding block to D with the
forearm.
|
———
Right L-stance forearm middle
guarding block toward D.
164
10. Execute a low front snap kick to D with
the right foot, keeping the position of
the hands as they were in 9.
Low front snap kick to D
with the right foot
166
11. Lower the right foot to D, forming a right low stance
toward D while executing a high thrust to D with the
right flat fingertip.
Right low stance high thrust with
the right flat fingertip toward D.
12 Execute a high turning kick to D with the right foot,
supporting the body with both hands and the left knee.
High turning kick to D
with the right foot.
170
2
3
=.
<
13. Lower the right foot to D, and then execute a high
punch to D with the right fist while pressing the ground
with the left palm.
High punch to D with the right fist while
pressing the ground with the left palm.
172
Frevious Posture
Application
Side View
Raise the left heel off the ground.
m\
Side View
173
14. Move the left foot to D, turning clockwise to form a left
L-stance toward € while thrusting to D with the left
side elbow.
Left L-stance forward С with a
left side elbow thrust to О.
174
Application
176
15. Move the left foot to С, turning clockwise to form a left
L-stance toward D, at the same time executing a middle
guarding block to D with the forearm.
Left L-stance foream middle
guarding block toward D.
176
178
16. Move the right foot to С, forming a right L-stance
toward D while executing a scooping block with the left
palm,
Right L-stance toward D with
a left palm scooping block.
Application
Side View
Side View
179
17. Move the left foot to С, forming a left L-stance toward
D while executing a middle outward strike to D with the
right knife-hand.
Left L-stance middle strike with
the right knife-hand toward D.
180
Previous Posture
Keep the back forearms crossed
in front of the left chest.
Application
181
Previous Posture
Keep the back forearms crossed
in front of the left chest.
Application
181
182
18. Execute a pressing block with an X-fist while forming a
left walking stance toward С, pivoting with the right
foot.
Left walking stance toward C with
an X-fist pressing block.
5
3
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в
—
<
19. Execute a low front snap kick to C with the right knee
while pulling both hands in the opposite direction as if
grabbing the opponent’s leg.
Low front snap kick to C with the
right knee, pulling both hands.
184
Previous Posture
Other View
$
Application
185
186
20. Lower the right foot to С, forming а right L-stance
toward D, while executing a middle guarding block to
D with a knife-hand.
Right L-stance knife-hand middle
guarding block toward D.
—
$
=.
—
3
188
21. Move the right foot to D та sliding motion to form a
right L-stance toward C, while thrusting to D with the
right side elbow.
$ `
—
«——---------77
_)
|
Right L-stanece toward С with a
right side elbow thrust to D.
—)
Application
Keep both back fists faced upward.
Side View
189
190
22. Execute а middle guarding block to D with а knife-
hand while forming a left L-stance toward D, pivoting
with the left foot.
Left L-stance knife-hand middle
guarding block toward D.
192
23. Execute а middle side piercing kick to D with the right
foot while pulling both hands in the opposite direction.
Middle side piercing kick to D with
the right foot, pulling both hands.
]
194
24. Lower the right foot to D, and then execute a pressing
block with a twin palm while forming a right rear foot
stance toward C, pivoting with the right foot.
Right rear foot stance toward C
with a twin palm pressing block
Application
Previous Posture
Side View
Other view
195
25. Move the right foot to С to form aright walking stance
toward С while executing a high front block to С with
the right outer forearm, and then a high side strike to C
with the right back fist, maintaining a right walking
stance toward С.
Right walking stance high front block
with the right outer forearm toward С.
196
Right walking stance high side strike
with the right back fist toward C.
197
Side View
Keep the left heel slightly
off the ground.
Other View
Other View
26. Execute a high thrust to D with the left flat fingertip
while forming a right L-stance toward D, pivoting
with the right foot.
Right L-stance high thrust with the
left flat fingertip toward D.
27. Execute a low front snap kick to D with the right foot
while bringing the right palm on the left back
forearm.
Low front snap kick to D
with the right foot
Lower the right foot to D to form a left walking stance
toward C, pivoting with the left foot while bringing
both fists to the right hip.
Perform in a slow motion.
Left walking stance toward С, placing the
left side fist on the right under fist.
204
S\
bat | oc
29. Execute a downward strike with the left back hand
while forming a right L-stance toward C, pivoting
with the right foot.
Perform in a stamping motion.
Right L-stance toward C with a left
back hand downward strike.
206
30. Punch the left palm with the right fist while
maintaining a right L-stance toward С.
Right L-stance middle punch with the right fist toward С.
208
210
31.
Move the right foot to С т a stamping motion to form
a left L-stance toward C while executing a downward
strike with the right back hand.
Left L-stance toward С with a right
back hand downward strike.
32. Punch the right palm with the left fist while maintain-
ing a left L-stance toward C.
Left L-stance middle punch with
the left fist toward C.
212
Previous Posture
213
214
83.
Execute a middle outward strike to D with the left
knife-hand while forming a right L-stance toward О,
pivoting with the right foot.
Perform in a stamping motion.
Right L-stance middle strike with
the left knife-hand toward D.
Previous Posture
Application
Side View
Keep the back forearms crossed in
front of the right chest, placing the
striking one under the other.
Side View
215
34. Execute a high side front strike to D with the right
back fist striking the left palm with the right elbow
while forming a left walking stance toward D, slipping
the left foot.
Left walking stance high side front strike
with the right back fist toward D.
216
218
35. Move the right foot to D, forming a left L-stance
toward D while executing a middle outward strike to
D with the right knife-hand. Perform in a stamping motion.
Left L-stance middle strike with
the right knife-hand toward D.
Previous Posture
Keep the back forearms crossed
in front of the left chest.
Application
219
36. Execute а high side front strike to D with the left back
fist striking the right palm with the left elbow while
forming a right walking stance toward D, slipping the
right foot.
=
~~)
Right walking stance high side front strike
with the left back fist toward D.
220
37. Execute а low guarding block to С with а reverse
knife-hand while forming a right L-stance toward C,
pivoting with the right foot.
Right L-stance reverse knife-hand
low guarding block toward C.
222
Other View
Application
Previous Posture
223
224
38. Execute а right 9-shape block while forming a left
walking stance toward С, slipping the left foot.
Left walking stance toward С with a right 9-shape block.
226
39. Move the right foot to С, forming a left L-stance
toward С while executing a low guarding block
toward C with a reverse knife-hand.
Left L-stance reverse knife-hand
low guarding block toward С.
228
40. Execute a left 9-shape block while forming a right
walking stance toward C, slipping the right foot.
Right walking stance toward C
with a left 9-shape block.
230
41.
Move the right foot to D, forming a left walking stance
toward С while executing a horizontal strike with a
twin knife-hand.
Left walking stance toward © with a
twin knife-hand horizontal strike.
232
42. Execute a high strike to С with the right arc-hand
while maintaining a left walking stance toward C.
Left walking stance high strike with
the right arc-hand toward С.
Previous Posture
Side View
Keep the right heel slightly
off the ground.
Side View
43. Execute a middle front snap kick to С with the right
foot, keeping the position of the hands as they were in
42.
Middle front snap kick to
C with the right foot.
234
44. Lower the right foot to С, forming a right walking
stance toward С while executing a high strike to С
with the left are-hand.
Right walking stance high strike
with the left arc-hand toward С.
236
45. Execute a middle front snap kick to © with the left
foot, keeping the position of the hands as they were in
44.
%
Middle front snap kick to С
with the left foot.
238
Application
—
Ё 3 8 Е и $
-
w
~-
=
239
240
46.
Lower the left foot to С, forming a left walking stance
toward C while executing a middle punch to C with the
right fist.
Left walking stance middle punch
with the right fist toward С.
47. Execute a middle punch to © with the left fist while
maintaining a left walking stance toward C.
Perform 46 and 47 in a fast motion.
Left walking stance middle punch
with left fist toward С.
242
48. Bring the right foot to the left foot to form a close
stance toward © while executing a high crescent
punch with a twin fore-knuckle fist.
Close stance toward С with a twin fore-
knuckle fist high crescent punch.
244
Previous Posture
Application
Top View
Other View
Other View
49. Move the left foot to В, turning counter-clockwise to
form a left walking stance toward B while executing a
low block to B with the left knife-hand.
Left walking stance low block with
the right knife-hand toward B.
246
50. Execute а high punch to В with the right open fist
while maintaining a left walking stance toward B.
Left walking stance high punch with
the right open fist toward B.
248
Keep the right heel slightly
Previous Posture off the ground.
Application
249
51. Move the left foot on line AB, forming а right walking
stance toward A while executing a low block to A with
the right knife-hand.
Right walking stance low block with
the right knife-hand toward A.
ea
к
\
\ (4 |
\ к re я
\ >
х
\
S
250
252
52. Ехесше а high punch to A with the left open fist while
maintaining a right walking stance toward A.
Right walking stance high punch with
the right open fist toward A.
к
Keep the left heel slightly
off the ground.
Previous Posture
Application
253
END: Bring the left foot back to a ready posture.
254
Close ready stance A toward D
Е
Е:
>
A
Я
A
255
256
ADDITIONAL TECHNIQUES
FOR
PATTERN JUCHE
Sitting Stance Inner Forearm Parallel Block
(Annun So Anpalmok Narani Makgi)
Front View
Side View
The back fist faces front.
One-Leg Stance Outer Forearm Parallel Block
(Waebal So Bakat Palmok Narani Makgi)
Side View
Front View
X-Stance Back Fist Downward Strike
(Kyocha So Dung Joomuk Naeryo Taerigi)
Side View
Front View
Hooking Kick (Golcho Chagi)
Front View Side View
259
Sitting Stance Flat Fingertip Outward Cross Cut
(Annun So Opun Sonkut Bakuro Gutgi)
Front View
Side View
X-Stance Reverse Knife-Hand Low Front Block
(Kyocha So Sonkal Dung Najunde Ap Makgi)
Front View
Side View
260
Walking Stance High Elbow Strike
(Gunnun So Nopun Palkup Taerigi)
Side View
Front View
Knife-Hand Mid-Air Strike (Sonkal Twio Dolmyo Taerigi)
Close Stance with a Heaven Hand (Moa So Hanulson)
Front View
Side View
Pick-Shape Kick (Gokgaeng-i Chagi)
Side View
Front View
The back heel reaches the same level
as shoulder of the attacker.
262
Walking Stance Arc-Hand Crescent Strike
(Gunnun So Bandalson Bandal Taerigi)
Side View
Front View
Rear Foot Stance Straight Elbow Downward Thrust
(Dwitbal So Sun Palkup Naeryo Tulgi)
Front View
*1. The elbow reaches the same level as
Side View the solar plexus of the attacker.
2. The back fist faces forward
263
Walking Stance Twin Knife-Hand Inward Strike
(Gunnun So Sang Sonkal Anuro Taerigi)
Front View
Side View
Walking Stance Downward Punch (Gunnun So Naeryo Jirugi)
Front View
Side View
The back fist faces front.
Backward Double Step-Sliding
(Dwiro Ibo Omgyo Didimyo Mikulgi)
Left walking stance toward D. Left L-stance toward D.
40.
ae Sy
aaa.
ЕТ 2
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265
L-Stance Outer Forearm Downward Block
(Niunja So Bakat Palmok Naeryo Makgi)
Side View
The outer forearm reaches the same level
as the solar plexus of the defender.
Front View
Dodging Reverse Turning Kick ( Pihamyo Bandae Dollyo Chagi)
266
Flying Two Direction Kick (Twimyo Sangbang Chagi)
Side View
Diagonal Stance Twin Palm Rising Block
(Sasun So Sang Sonbadak Chookyo Makgi)
Side View
Front View
Rear Foot Stance Side Elbow Thrust
(Dwitbal So Yop Palkup Tulgi)
Side View
Back View
Bending Ready Stance В (Guburyo Junbi Sogi В)
Side View
Front View
L-Stance Back Fist Horizontal Strike
(Niunja So Dung Joomuk Soopyong Taerigi)
Front View
Side View
Parallel Stance Flat Fingertip Inward Cross-Cut
(Narani So Opun Sonkut Anuro Gutgi)
Top View
Front View
Flying Consecutive Punch (Twimyo Yonsok Jirugi)
Front Punch Upset Punch
Walking Stance Knife-Hand Front Downward Strike
(Gunnun So Sonkal Ap Naeryo Taerigi)
Front View
Side View
270
PATTERN JUCHE
This pattern is practised by the 2nd
degree and above.
DIAGRAM: | [|
MOVEMENTS: 45
READY POSTURE: PARALLEL STANCE WITH
FOREFISTS TO THE HIPS
273
274
DIAGRAM (Yon Moo Son)
F
Ready Posture
275
276
Move the left foot to В, forming a sitting stance toward
D while executing a parallel block with the inner
forearm.
Sitting stance toward D with inner
forearm parallel block
2-3
2
2
5.
=
<
Top View
2. Execute a middle hooking block to D with the
right palm while standing up toward D.
Right palm middle hooking block
while standing up toward D.
278
279
280
3.
Execute a middle punch to D with the left fist while
forming a sitting stance toward D.
Perform 2 and 3 in a continuous motion.
Sitting stance middle punch with
the left fist toward D.
Raise the body slightly
281
4. Pull the right reverse footsword to the left knee joint
forming a left one-leg stance toward D while executing
a parallel block with the outer forearm.
Left one-leg stance toward D with
outer forearm parallel block
282
3
=
=.
=
<
283
5. Execute a middle side piercing kick to A, and then a
high reverse hooking kick to B consecutively with the
right foot, keeping the position of the hands as they
were in 4.
Perform in a slow motion.
Middle side piercing kick High reverse turning kick
to A with the right foot, to B with the right foot.
284
6. Lower the right foot to В та jumping motion to form а
right X-stance toward F while executing a downward
strike to B with the right back fist.
Right X-stance toward F with a right
back fist downward strike to В.
286
И 2 ~
s
[=]
=
e
a
"=.
=.
<
287
7. Execute a middle hooking kick, and then a high side
piercing kick to F consecutively with the left foot.
Middle hooking kick to F High side piercing kiek
with the left foot. to F with the left foot.
288
290
Lower the left foot to F in a stamping motion to form a
sitting stance toward B while executing a high outward
cross-cut to F with the left flat fingertip.
Sitting stance toward B with a left flat
fingertip high outward cross-cut to F.
9. Execute a right high elbow strike to BF, pressing the
right side fist with the left palm while forming a left
walking stance toward BF.
Left walking stance high elbow strike toward BF.
292
Application
Previous Posture
Side View
Keep both heels slightly
off the ground.
Side View
Side View
293
294
10. Cross the left foot over the right foot to form a right X-
stance toward B while executing a low front block toB
with the left reverse knife-hand, bringing the right
finger belly on the left back forearm.
Right X-stance low front block with the
left reverse knife-hand toward B.
Application
295
296
Move the right foot to A forming a left L-stance
toward A while executing a middle guarding block to
A with a knife-hand.
Left L-stance knife-hand middle
guarding block toward A.
Application
297
12. Execute a mid-air strike to A with a left knife-hand
while spinning counter -clockwise, and then land to A
forming a right L-stance toward A with the left arm
extended.
РЛ к
Mid-air strike to A with Right L-stance toward A with
the left knife-hand the left arm extended to A.
298
3 >. a
<
299
13. Move the right foot to A to form a sitting stance
toward D while executing a parallel block with the
inner forearm.
Sitting stance toward D with the
inner forearm parallel block.
301
302
14. Execute a middle hooking block to D with the
left palm while standing up toward D.
Left palm middle hooking block
while standing up toward D
Keep both legs straight
303
15. Execute а middle punch to D with the right fist while
forming a sitting stance toward D.
Perform 14 and 15 in a continuous motion.
Sitting stance middle punch with
the right fist toward D.
Raise the body slightly.
5
.з
*
к
и
Cy
<
305
16. Pull the left reverse footsword to the right knee joint
to form a right one-leg stance toward D while
executing a parallel block with the outer forearm.
2
Right one-leg stance toward D with
the outer forearm parallel block.
306
17. Execute a middle side piercing kick to B, and then a
high reverse hooking kick to A consecutively with the
left foot, keeping the position of the hands as they
were in 16.
Perform in a slow motion.
Middle side piercing kick High reverse hooking kick
to B with the left foot. to A with the left foot.
308
310
18.
Lower the left foot to а та jumping motion to form a
left X-stance toward E while executing a downward
strike with the left back fist.
Left X-stance toward E with a
left back fist downward strike.
311
19. Execute a middle hooking kick, and then a high side
piercing kick to E consecutively with the right foot.
Middle hooking kick to E High side piercing kick to
with the right foot. E with the right foot.
312
313
314
20.
Lower the right foot to Е т a stamping motion to form
a sitting stance toward A, at the same time executing
a high outward cross-cut to E with the right flat
fingertip.
Sitting stance toward A with a right flat
fingertip high outward cross-cut to Е.
21. Execute a left high elbow strike to AE pressing the left
side fist with the right palm while forming a right
walking stance toward AE.
Right walking stance high strike
with the left elbow toward AE.
Application
Top View
Keep both heels slightly
off the ground.
Side View
317
318
Cross the right foot over the left, forming a left X-
stance toward A while executing a low front block to
A with the right reverse knife-hand, bringing the left
finger belly on the right back forearm.
Left X-stance low front block with the
right reverse knife-hand toward A
br
Previous Posture
319
320
23.
Move the left foot to В to form a right L-stance toward
B while executing a middle guarding block to B witha
knife-hand.
Right L-stance knife-hand middle
guarding block toward B.
Execute a mid-air strike to В with the right knife-
hand while spinning clockwise, and then land to B,
forming a left L-stance toward B with the right arm
extended.
Mid-air strike to В with Left L-stance toward B with
the right knife-hand, the right arm extended to B.
322
25. Execute а pick-shape kick to В with the left foot, and
then lower it to B,forming a right rear foot stance
toward B while executing a middle guarding block
with the forearm.
Pick-shape kick to B Right rear foot stance toward middle
with the left foot. guarding block toward B.
=
324
326
26.
Bring the right foot to the left foot, forming a close
stance with a heaven hand toward О.
Perform in a slow motion.
Close stance with a heaven hand toward D.
27. Slide to Сю Гоги a left rear foot stance toward D while
executing a downward thrust with the right straight
elbow.
Left rear foot stance toward D with a
right straight elbow downward thrust.
328
Application
329
330
28.
Execute a high crescent strike with the left are-hand
while forming a right walking stance toward D,
slipping the right foot.
Right walking stance toward D with a
left arc-hand high crescent strike.
Previous Posture
Application
Side View
Top View
29. Slide to С, forming а right rear foot stance toward D
while executing a downward thrust with a left straight
elbow.
«>
Right rear foot stance toward D with
a left elbow downward strike.
332
Application
334
30. Execute a high crescent strike D with the right arc-
hand while forming a left walking stance toward D,
slipping the left foot.
Left walking stance toward D with a right
are-hand high crescent strike.
Previous Posture
Application
335
Move the left foot to С, forming а right walking stance
toward D while executing a high inward strike to D
with a twin knife-hands.
31.
eo
Right walking stance high inward strike
with a twin knife-hand toward D.
336
Top View
Application
338
32. Move the right foot to С, forming a left walking stance
toward D while executing a downward punch with the
right fist.
Left walking stance toward D with
a right fist downward punch.
Previous Posture
Application
Side View
339
33. Move the left foot to the side rear of the right foot, and
then slide to С, forming a right L-stance toward D
while executing a downward block with the left outer
forearm.
io
Right L-stance toward D with a left
outer forearm downward block.
Previous Posture
Application
Keep the left heel slightly
off the ground.
Side View
34. Execute а reverse turning kick to D with the right foot
while flying away from D, and then land to С to forma
left L.-stance toward D, at the same time executing а
middle guarding block to D with the forearm.
Dodging reverse turning kick
to D with the right foot.
Left L-stance forearm guarding
block toward О.
342
35. Move the right foot to the side rear of the left foot, and
then slide to C forming a left L-stance toward D while
executing a downward block with the right outer
forearm.
Left L-stance toward D with a right
outer forearm downward block.
4
Previous Posture
Keep the right heel slightly
off the ground
4 Application
|
1
1
1
щ
=
a
1
Top View
f /
р | |
59
345
36. Execute a reverse turning kick to D with the left foot
while flying away from D, and then land to C to forma
right L-stance toward D, at the same time executing a
middle guarding block to D with the forearm.
Dodging reverse turning kick
to D with the left foot.
Right L-stance forearm middle
guarding block toward D.
3
fo a, м
37. Move the right foot to D and the left foot to D, then
execute a flying two direction kick (twisting kick with
the left, side kick with the right foot) while flying to D.
Flying side-twisting two direction kick.
Appli
349
38. Land to D to form a left diagonal stance toward D
while executing a rising block with a twin palm.
&>
Left diagonal stance toward D
with a twin palm rising block.
350
39. Slide to D, forming a right rear foot stance toward С
while executing a side thrust to D with the right
elbow.
cS
Rear foot stance toward С with
a right side elbow thrust to D.
352
353
354
40.
Turn the face to D while forming а right bending
ready stance toward C, and then execute a middle
back piercing kick to D with the left foot.
Perform in a slow motion.
Middle back piercing kick to D
with the left foot.
356
41.
Lower the left foot to D in a stamping motion, forming
a right L-stance toward D at the same time executing
a horizontal strike to D with the left back fist.
Right L-stance horizontal strike with
the left back fist toward D.
358
42.
Execute а high inward cross-cut to D with the right
flat fingertip while forming a parallel stance toward
D, pulling the right foot.
Parallel stance high inward cross-cut with
the right flat fingertip toward О.
43. Execute a front punch and an upset punch to D
consecutively with the right fist while flying to D, and
then land to D forming a close stance toward D with
the right fist extended.
< 25
Flying front and upset punch
to D with the right fist.
Close stance toward D with
the right fist extended.
360
44. Move the right foot to D, forming a right walking
stance toward D while executing a front downward
strike with the left knife-hand.
Right walking stance toward D with a left
knife -hand front downward strike.
Move the left foot to D, forming a left walking stance
toward D while executing a middle punch to D with
the right fist.
45.
Left walking stance middle punch
with the right fist toward О.
Previous Posture
Application
Side View
365
366
END: Bring the right foot back to a ready posture.
Parallel ready stance toward D.
| ИИА
Side View
367
SYNOPSIS
The Encyclopedia of Taekwon-Do consists of 15 volumes. The contents
of each volume is listed below:
VOLUME 1:
VOLUME II:
VOLUME Ill:
VOLUME IV:
VOLUME V:
VOLUME VI:
VOLUME VII:
368
1) Origin and Development of Martial Arts
2) History of Taekwon-Do
3) Moral Culture
4) Philosophy
5) Training Schedule
6) Cycle and Composition of Taekwon-Do
7) Demonstration
A) Model Sparring
B) Pre-arranged Free Sparring
C) Sample of Self-defence Techniques
8) About the Author
9) Group photos
1) Theory of Power
2) Attacking and Blocking Tools
3) Vital Sports
4) Training
A) Training Hall
B) Conduct in Do Jang
C) Training Equipment
D) Practice Suits
5) Stances
6) Training Aids
Hand Techniques
Foot Techniques
Sparring
Fundamental Exercises (A)
Fundamental Exercises (B)
VOLUME VIII: 1) Four-Direction Punch 2) Four-Direction Block 3) Pattern Chon-Ji 4) Pattern Dan-Gun 5) Pattern Do-San
VOLUME Ix: 1) Pattern Won-Hyo
2) Pattern Yul-Guk 3) Pattern Joong-Gun
VOLUME xX: 1) Pattern Toi-Gae
2) Four-Direction Thrust 3) Pattern Hwa-Rang 4) Pattern Choong-Moo
VOLUME XI: 1) Pattern Gwang-Gae
2) Pattern Po-Eun 3) Pattern Ge-Baek
VOLUME ХИ: 1)Pattern Eui-Am
2) Pattern Choong-Jang 3) Pattern Juche
VOLUME Xill: 1) Pattern Sam-il
2) Pattern Yoo-Sin 3) Pattern Choi-Yong
VOLUME XIV: 1) Pattern Yon-Gae
2) Pattern UI-Ji 3) Pattern Moon-Moo
VOLUME Xv: 1) Pattern So-San
2) Pattern Se-Jong 3) Pattern Tong-ll
369
370
371